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Yield - Pearl Jam (CD 1998)

Track Listing
1. Brain of J. - (live)
2. Faithfull - (live)
3. No Way - (live)
4. Given to Fly - (live)
5. Wishlist - (live)
6. Pilate - (live)
7. Do the Evolution - (live)
8. Untitled
9. Mfc - (live)
10. Low Light - (live)
11. In Hiding - (live)
12. Push Me, Pull Me
13. All Those Yesterdays

Details
Producer:Brendan O'Brien, Pearl Jam
Distributor:Sony Music Distribution (
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
YIELD contains a hidden track.
Pearl Jam: Eddie Vedder (vocals, guitar); Stone Gossard, Mike McCready (guitar); Jeff Ament (bass); Jack Irons (drums).
Recorded at Studio Litho and Bad Animals, Seattle, Washington; Southern Tracks Recording and Doppler, Atlanta, Georgia.
"Do The Evolution" was nominated for the 1999 Grammy Award for Best Hard Rock Performance and Best Short Form Music Video. YIELD was nominated for the 1999 Grammy Award for Best Recording Package.
Nay-sayers and trends be damned. Pearl Jam's follow-up to 1996's NO CODE continues down the path of aggressive rock and roll, existential musings and musical experimentation. This isn't your older brother's grunge. Opening with the hard-driving "Brain Of J," YIELD goes from a punky swagger representing man's arrogance in asserting his lofty place on the food chain ("Do The Evolution") to a free jazz approach and a disembodied Vedder vocal questioning the meaning of life ("Push Me, Pull Me").
Most of YIELD continues to ply the standard Pearl Jam sound: Vedder's pained emoting, the interesting use of dynamics between McCready and Gossard's guitars and solid rhythm-work from the Ament/Irons rhythm section. Rather than falling into the creative rut many huge bands succumb to, Pearl Jam's music has instead developed its own identity while still walking the fringes of the unorthodox. Hence the inclusion of a weird, untitled percussive instrumental cut in Jack Irons' home studio and an Eastern-flavored hidden track pointing towards the influence of the late Nusrat Fateh Ali Khan.

Editorial Reviews
4 Stars (out of 5) - ...even the rockers have an uncommonly easy touch that's new to Pearl Jam....Vedder is singing more frankly about his life as an adult....shows that Pearl Jam have made the most out of growing up in public...
Rolling Stone Magazine (02/19/1998)

8 (out of 10) - ...Part touchstone, part pariah, Pearl Jam have tried arty gestures; they've ostentatiously declined to rock; and now they've come back with an album full of gracefully ambivalent anthems. All commodities should be this unstable, and have this much blood pumping through them.
Spin (03/01/1998)

7 (out of 10) - ...Here's where Pearl Jam put on their diverse boots and stomp across their bluesy roots, careering through various styles and pop-mongous strops...
New Musical Express (01/31/1998)

...an intermittently affecting album that veers between fiery garage rock and rootsy, acoustic-based ruminations. Perhaps mindful of their position as the last alt-rock ambassadors with any degree of clout, they've come up with their most cohesive album since their 1991 debut, TEN... - Rating: B
Entertainment Weekly (02/06/1998)

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      Pearl Jam's Best Since "Ten"
    Review created: 05/10/00
    by: awoolcott -- a member of Epinions

    Pros:
    Lots of hard-hitting tunes

    Cons:
    Some of the lyrics a bit whacked out

    Make no mistake about it: I am a big Pearl Jam fan. I have all 5 studio albums and the live one. And Yield, released in 1998, is the best they have put out since their debut effort, "Ten." Mix an edge not seen in quite some time from them, along with Eddie Vedder's trademark angerous voice, you get a CD worth spending the money on, and one you'll be listening to for a long time.

    The CD kicks off to a rocking start with "Brain Of J." With lines like "Who's got the brain of JFK/What's it mean to us now?" you obviously get the impression that it's about JFK. Apparently Eddie is wondering what it would be like if he didn't get killed. At least I think (I am far from an expert on dissecting lyrics, I look for the sound first anyway). Honestly, it's not the lyrics that make me enjoy this song, it's the beat and the music that appeals. I admit I have caught myself speeding a lot listening to this (which is why I don't keep it in my CD changer anymore!), it's loud and an all around rocker.

    Another one I like is "Wishlist." It's not loud, it's melodic, with quiet guitars and drums. Basically it's about wishing for things, like wishing to be a bomb so he (Eddie) could go off (I have got to stop writing music reviews..I am no good!).

    "Do The Evolution" is probably my favorite though. It is one of the louder songs on the disc, and by the end of it Eddie is screaming his lungs out. Always a good thing. Good lyrics abound: "I can kill because In God I Trust", and "I'm a thief, I'm a liar/there's my church, I sing in the choir" points out hypocrites that are abound in this country (apparently).

    "MFC", and "All Those Yesterdays" round out my favorites. I have gotta say, "MFC" makes no sense to me. The lyrics are a bit "out there." But the sound is great anyway. "All Those Yesterdays", hits a bit more home with me. I interpret it as about someone trying to forget about something in their life and move on, and have to keep going and keep busy, and Eddie advising to just "rest and let it all wash away." I guess it hits home with me a bit for personal reasons, but isn't that what music is all about?

    On the whole, I say, Yield is a good buy. If you were a Pearl Jam fan and got weary after Vs. or Vitalogy, I recommend you take a listen. It's closer to the Pearl Jam sound we all knew and love from "Ten." Give it a shot. And someone remind me to stop writing my horrible music reviews!



    Review ID: 10000000004529180
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    Yield - Pearl Jam (CD 1998)
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