
A Season of Transition---Season Two
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Wonder Woman, despite good ratings, got a poor break from ABC television during its first season. Irregularly on the schedule, and moved from night to night, it was difficult for fans to figure out when it would be broadcast. The series was somewhat expensive to shoot, with its authentic period automobiles and wardrobe, After midseason, it became obvious that the caricature rogues gallery featured in the original comic strip in the 40's, similar to those of Batman, would not work for television. Flash-forward: CBS picks up the series for its second season, and sets the tone for a dramatic treatment. In 1977, Steve Trevor, Jr., is one of a group of worldleaders whose jet is sabotaged near Paradise Island. Princess Diana to the rescue! After the Queen learns of sabotage plots and the endangerment of world peace, she decides to send "Wonder Woman," back out to man's world. This time, Diana's cousin, Evadne, challenges her for the costume, but Diana wins, and heads back out. Her new guise, agent Diana Prince, for the Inter Agency Defense Command, a CIA espionage-based governmental group. This time, she crashes the agency's computer system to create a backstory for herself, a 27 year-old three year agency veteran, whose records were lost by Berkely University, with a very high pay grade! Diana dresses like a school marm, with cleavage and body hugging dresses, but frills and full skirts abounding, and severe Gibson-Girl hair with large glasses. The first several episodes feature notable guest stars, and a large amount of special effects---multiple change sequences, use of nearly every power in almost every episode, including the tiara as a boomerang, and notable guest stars. The updated comic strip theme is removed after eight episodes, to feature a live-action montage of action clips, and eventually, more disco strings than brass band. After the first eight episodes, Diana Prince gets more trendy clothes, a relaxed ponytail, braid, or other modern off-the-face hair, and wears her glasses less, but is on screen more. Her Wonder Woman personna is used mostly to escape from dangerous situations, confront dangerous criminals for capture, and to accomplish spy tasks that she couldn't otherwise. Stories and scripts become less plausible, and often focus on infilitrating criminal organizations undercover. Flashy swim and cycling costumes appear, and special effects largely focus on jumping by the end of the season. The series takes a downward turn with "Murderous Missile," in which Wonder Woman rides a cycle to chase a stolen missle. This continues to be true for the remainder of the second season, leaving the third, and worst season, to follow. Lynda rounds out the Diana character, but all of the scripts after about episode 10 begin to take the series TOO seriously, much the same as the comic of the era, where Diana works for the U.N. Enjoyable, but uneven scripting and continuity, obvious use of stunt doubles make it less likable after the midpoint of the season. Fun: overkill on special effects in the first several episodes, guest stars, and seeing how many ways Diana will change (a spinning chair, rolling down a cliff, etc.) and how many HUGE tinted glasses she owns. Suspension of disbelief is necessary: Diana looks virtually the same as Wonder Woman by the middle of the season; Lynda stops wearing as many hairpieces and wigs as Wonder Woman, and Diana's svelte figure is on display in swimwear (modest), leaving no secrets of identity!
Review ID: 10000000004230043

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