Track Listing 1. Lisztomania - (with Phoenix) 1. Lisztomania 2. 1901 - (with Phoenix) 2. 1901 3. Fences - (with Phoenix) 3. Fences 4. Love Like A Sunset Pt.1 - (with Phoenix) 4. Love Like a Sunset Pt. 1 5. Love Like A Sunset Pt.2 - (with Phoenix) 5. Love Like a Sunset Pt. 2 6. Lasso - (with Phoenix) 6. Lasso 7. Rome - (with Phoenix) 7. Rome 8. Countdown - (with Phoenix) 8. Countdown 9. Girlfriend - (with Phoenix) 9. Girlfriend 10. Armistice - (with Phoenix) 10. Armistice
| Details | | Producer: | Philippe Zdar, Phoenix | | Distributor: | RED Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Phoenix (Rock): Thomas Mars (vocals); Christian Mazzalai, Laurent Brancowitz (guitar); Deck D'Arcy (bass guitar). Additional personnel: Thomas Hedlund (drums, sampler). Audio Mixer: Philippe Zdar. Audio Remasterer: Mike Marsh. Recording information: Motorbass, Paris, France. The slyly referential MOR-pop of Phoenix has, in part, staked it's effectiveness on the reclaiming of unfashionable music styles of yore. From electro-inflected country & western ditties to airy, synth-heavy soft-rock, the group's giddy embrace of all that's considered schlock--retouching the results to a fine point with crisp, modern production and a hip, young attitude--ascended them to the status of postmodern pop auteurs par excellence. WOLFGANG AMADEUS PHOENIX, the band's fourth album, further refines their approach, reining in the scattershot, darts-to-the-wall tactics of the past to reveal some of the most vibrantly melodic and robust songwriting of their career. The album kicks off with the bouncy, feel good rave-up "Lisztomania," a song whose, mostly, nonsense lyrics singer Thomas Mars imbues with convincing stylistic panache. The only song that deviates from the album's revved-up and stylized pop perfection is the plangent, nearly eight-minute, epic "Love Like a Sunset," which explores the shoegazery melodrama of groups like M83.
The slyly referential MOR-pop of Phoenix has, in part, staked it's effectiveness on the reclaiming of unfashionable music styles of yore. From electro-inflected country & western ditties to airy, synth-heavy soft-rock, the group's giddy embrace of all that's considered schlock--retouching the results to a fine point with crisp, modern production and a hip, young attitude--ascended them to the status of postmodern pop auteurs par excellence. WOLFGANG AMADEUS PHOENIX, the band's fourth album, further refines their approach, reining in the scattershot, darts-to-the-wall tactics of the past to reveal some of the most vibrantly melodic and robust songwriting of their career. The album kicks off with the bouncy, feel good rave-up "Lisztomania," a song whose, mostly, nonsense lyrics singer Thomas Mars imbues with convincing stylistic panache. The only song that deviates from the album's revved-up and stylized pop perfection is the plangent, nearly eight-minute, epic "Love Like a Sunset," which explores the shoegazery melodrama of groups like M83.
Editorial Reviews 4 stars out of 5 -- It may be oversimplifying to invoke the spirit of Radiohead, but this could be Phoenix's OK Computer and Kid A rolled into one. Q
[T]he album's 10 songs are arranged and executed with virtuoso pop-rock precision....Its unflappable sonic sheen gives WOLFGANG some winsome 80s nostalgia... Pitchfork
These arch Frenchmen make precision-tooled pop that somehow retains a sense of urgency and playfulness -- an impressive balancing act... Spin
4 stars out of 5 -- The 10 songs are sleek and clean....'Fences' spikes the electro beat of Daft Punk with an urgent acoustic-guitar breakdown for splendidly danceable melancholy. Rolling Stone
[T]he Versailles-bred foursome actually possess one of the purest pop aesthetics on either side of the Atlantic....The underlying vibe is both retro and somehow outside of time... -- Grade: A- Entertainment Weekly
4 stars out of 5 -- [A]n absolute blast, rich in ringing guitar and euphoric synths....The expansive, two-part 'Love Like A Sunset' evokes strains of '70s prog-disco. Alternative Press
Thomas Mars sings with the urgency of Of Montreal's Kevin Barnes, and his band plays with a Killers-like accessibility. Paste
The group has polished its '60s-rock-revivalist sound to near perfection, but keeps expanding its aural palette, experimenting with layered rhythms and sonic textures. Billboard
CMJ The band's brand of glamorous electronic-tinged pop is mixed with twee plinks here and there, supplemented with airy keys and a futuristic spaceship feel that will be pleasing to both clubbers and concert-goers alike.
| See an error? Submit a change request |