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The Winslow Boy (VHS, 2000, Closed Captioned) 
The Winslow Boy (VHS, 2000, Closed Captioned)

 
The Winslow Boy (VHS, 2000, Closed Captioned)

Director: David Mamet
Rating: Rated G
Release Date: Feb 2000
Format: VHS
Additional Info: Closed Captioned
UPC: 043396039056
Product ID: EPID3288780
Description: Based on an actual trial that created a media frenzy in WWI-era London, THE WINSLOW BOY might have been conceived as a standard courtroom drama. Instead, director David Mamet (working from the play by Terence Rattigan) focuses on a famil...
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Movie Description
Based on an actual trial that created a media frenzy in WWI-era London, THE WINSLOW BOY might have been conceived as a standard courtroom drama. Instead, director David Mamet (working from the play by Terence Rattigan) focuses on a family pushed to the limit by its fight for justice. The trouble begins when Ronnie Winslow (Guy Edwards), a 13-year-old naval cadet, is accused of, and subsequently expelled for, stealing a five-shilling postal order. The boy's father, Arthur (Nigel Hawthorne), believes his son's protestations of innocence and sets in motion an expensive fight against the immense bureaucratic machinery of the crown. The expense and publicity imperil the family--costing Arthur's suffragette daughter, Catherine, a suitor, for example--even as the case becomes a national cause célèbre. The story captures a period of intense social change; charts an early example of the "media trial"; and asks the very human question, What is one's good name worth? Excellent performances abound in the film, especially from Jeremy Northam as the charismatic lawyer Sir Robert Morton; and Mamet's wife, Rebecca Pidgeon, as Catherine.

Credits
Cast:Gemma Jones, Jeremy Northam, Nigel Hawthorne

Details
Edition:Closed Captioned

Notes
Theatrical release: April 30, 1999.

THE WINSLOW BOY was shot on location in London, England.

Playwright Terence Rattigan based THE WINSLOW BOY on the real-life case of George Archer-Shee, who was accused of stealing a postal order at the Naval Academy in 1908 (possibly because of bias against Catholics). His father, Martin, insisted on justice for his son, finally retaining Edward Carson--the barrister famous for his prosecution of Oscar Wilde's libel suit--to serve as counsel in the 1910 trial. George Archer-Shee was killed in 1914 in WWI; later his family was reimbursed for the great expense they had incurred in the pursuit of their case. In his play, Rattigan changed the time period of the case slightly, changed the character of George's siblings (in part to introduce the issue of women's suffrage), and ignored the possibility of religious bias as a factor in the case.

Women were granted full voting rights in England in 1928.

Neil North, who plays the First Lord of the Admiralty, played Ronnie Winslow in the 1948 film version.

Editorial Reviews
"...[A] surprisingly faithful adaptation..."
Sight and Sound - Geoffrey Macnab

"...A drama of wicked subtlety and moral finesse..." -- Rating: A-
Entertainment Weekly - Owen Gleiberman (05/07/1999)

"...WINSLOW BOY triumphs in giving several superb actors an intelligent, unobtrusive setting..."
Variety - Dennis Harvey

Ranked #9 in Rolling Stone's "Ten Best Movies of 1999"
Rolling Stone - Peter Travers (01/20/2000)

"...A precisely calibrated war of nerves in which truth and deceit are all-important....[Pidgeon] bristles most effectively and plays Catherine with strong presence and a sharp, lucid edge..."
New York Times - Janet Maslin (04/30/1999)

"...Brilliant dialogue....Mamet's script clips along at such a rate, in fact, that just as one dazzling phrase or turn has barely registered, he's amazing you with another..."
Box Office - Annlee Ellingson (04/01/1999)

"...Absorbing....Keeping it going are the inherent appeal of sheer principle as a dramatic force and the performances..."
USA Today - Mike Clark (04/30/1999)

"...A pointed examination of the price of seeking justice....Genteel moviemaking with modern overtones, THE WINSLOW BOY is especially good at the visual re-creation of its time..."
Los Angeles Times - Kenneth Turan (04/30/1999)

"...There is a wonderful audacity in the way that the outcome of the case happens offscreen and is announced in an indirect manner....Mamet's characters are interesting precisely because of the reserve and detachment they bring to passion..."
Chicago Sun-Times - Roger Ebert (05/28/1999)

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