
Wild. might have sold you this product.
1 of 1 people found this review helpful.
Everything about WILD WILD WEST, the movie, is just plain bad: tacky special effects; clumsy direction; an embarrassing screenplay; plus a fine, bewildered cast wasted in totally unworkable roles. But as bad as everything else is, the base rot of WWW goes directly to its reworked premise. No matter how open minded one might be, or how much one prides oneself on being socially color blind, there is just no way to honestly accept replacing Robert Conrad, TV's James West, with Will Smith. The time and the place dictate that James West be a white male -- unless, the filmmakers acknowledge and embrace the incongruity and use it for a real purpose.
Yet, the filmmakers want it both ways: the audience is expected to be able to ignore Smith's skin color, while at the same time the entire plot is based on his confrontation with a white racist trying to reestablish Confederate power and seize control of the U.S. government. How can you respect or believe in a film or filmmakers that get all preachy about the evils of racism while all along dealing with the issue with absolutely no respect for historical honesty? It is not clear if having Smith play James West as a cocky, street smart, John Shaft-style character was intended to be a joke, social commentary or just absurd politically correct pandering to black audiences, but it is clear that it does not work. The most outrageously unbelievable thing about WILD WILD WEST is not the wildly improbable sci-fi inventions but that the Smith character actually makes it to the end of the film without being lynched. It's not that the anachronism of a cocksure 20th century black man confronting 19th century bigotry isn't workable, because that very time-warp racial comedy had already been done with much greater success in the Mel Brooks classic, BLAZING SADDLES. Unlike WWW, Brooks and company realized the sheer idiocy of the premise, yet used that to mock both the black and the white stereotypes with equal glee.
Where BLAZING SADDLES is an honest farce, WILD WILD WEST is dishonest and cowardly. All involved probably thought they were being pretty daring by flaunting convention and hiring Smith, but they did not hire Will Smith the African American, they hired Will Smith the action hero movie star. They built WILD WILD WEST around Smith's race, but only to exploit his contemporary Hollywood image, even to the point of letting him create and perform a totally inappropriate (and totally bad) rap song at the end. You can sense the film exploiting both Smith's star image and his race, while not wishing to risk challenging either. The film tries to reinvent "The Wild Wild West" TV show, but the changes are literally skin deep. To really explore and compare racism in America by blending the attitudes of two different American centuries would have been too wild wild of an idea for these timid timid filmmakers.
Review ID: 10000000012388206

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