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What's a Man to Do? by Frankie J (CD, May-2003, Columbia USA) 
What's a Man to Do? by Frankie J (CD, May-2003, Columbia USA)

 
What's a Man to Do? by Frankie J (CD, May-2003, Columbia USA)

Artist: Frankie J
Release Date: May 2003
Format: CD
Record Label: Columbia (USA)
Genre: Contemporary R&B, R&B
UPC: 827969007327
Product ID: EPID3507637
Description: Personnel: Frankie J (vocals); Gemini, Baby Bash, Russell Lee, Max Minelli (rap vocals); Happy Perez (various instruments); Andy Quinn (guitar); Don Quinn (bass); Ritz Murphy, F. Bautista (background vocals). Producers: Jaime Galvez, Fra...
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21 results|Group by condition
Track Listing
1. What's a Man to Do?
2. Won't Change - (featuring Gemini)
3. Interlude
4. We Still
5. Wanna Know
6. Diggin Your Style - (featuring Baby Bash)
7. Don't Wanna Try
8. Just the Way - (featuring Gemini)
9. Be Home Soon
10. Drinks on Me - (featuring Baby Bash)
11. From the Outside Lookin In - (featuring Russell Lee/Max Minelli)
12. Ya No es Igual

Details
Contributing Artists:Baby Bash, Gemini, Max Minelli, Russell Lee
Distributor:Sony Music Distribution (
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Frankie J (vocals); Gemini, Baby Bash, Russell Lee, Max Minelli (rap vocals); Happy Perez (various instruments); Andy Quinn (guitar); Don Quinn (bass); Ritz Murphy, F. Bautista (background vocals).
Producers: Jaime Galvez, Frankie J, Happy Perez.
Although Frankie J's WHAT'S A MAN TO DO is pushed along by hip-hop-derived rhythms and production, he's an old-school soul singer at heart. That's not to say that there are homages to Marvin Gaye or Al Green here, simply that J eschews the hyper-melismatic approach of many lesser contemporaries in favor of a smooth, understated style that values hooks and melody over vocal showboating. Frankie's first and foremost a romantic balladeer, and while there are a couple of percolating tracks, this is mostly an album of slow jams built on and for intimacy. J knows just how much to put into his performances without overextending himself, and he remains a believable seductor throughout. Things end on a nice touch with the Spanish-language, piano-based ballad "Ya No Es Igual," hinting at the possibilities of a Latin-pop crossover.

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