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Welcome to Porter Hall Tennessee, ...
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Welcome to Porter Hall, Tennessee by TN Porter Hall (CD, Mar-2002, Slewfoot) 
Welcome to Porter Hall, Tennessee by TN Porter Hall (CD, Mar-2002, Slewfoot)

 
Welcome to Porter Hall, Tennessee by TN Porter Hall (CD, Mar-2002, Slewfoot)

Artist: TN Porter Hall
Release Date: Mar 2002
Format: CD
Record Label: Slewfoot
Genre: Alt Country, Rock & Pop
UPC: 809812080725
Product ID: EPID3476728
Description: Porter Hall, TN: Molly Conley (vocals, acoustic guitar); Gary Roadarmel (vocals, electric guitar); Jason Sligh (mandolin, background vocals); Ruth Griffin (bass); Kenny Griffin (drums). Additional personnel: Mike Fried (pedal steel & bar...
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3 results|Group by condition
Track Listing
1. Screwed Blue
2. Halfway There (I'm Gone)
3. Golden Chain of Hate
4. Angel Without Wings
5. Drunkard and an Angel
6. Don't Bury Me
7. Old Kentucky Home
8. Middle Tennessee
9. Slip Inside This House
10. Crosses to Hang
11. I've Got a Hedge
12. (Untitled) - (hidden track)

Details
Producer:Brian Carter, Gary Roadarmel
Distributor:City Hall
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Porter Hall, TN: Molly Conley (vocals, acoustic guitar); Gary Roadarmel (vocals, electric guitar); Jason Sligh (mandolin, background vocals); Ruth Griffin (bass); Kenny Griffin (drums).
Additional personnel: Mike Fried (pedal steel & baritone guitars); Jason Wisener (banjo); Billy "Ozzy" Osment (fiddle).
Recorded at Paradox Studio, Murfreesboro, Tennessee.
Porter Hall, TN works a fairly traditional furrow of roadhouse honky-tonk music while still managing to impress their own identity upon the listener. Fronted by vocalist/guitarists Molly Conley and Gary Roadarmel, the band benefits from two strong voices that also harmonize well together. Seemingly as influenced by Gram and Emmylou as by George and Tammy, the group brings an agreeable rugged quality to the production and arrangements. The songs bow to country tradition, from hard-hitting stomper to beer-swilling ballad, while still inserting the occasional left turn to help remind you that it's not 1960. Jason Sligh's mandolin adds the occasional touch of bluegrass to Porter Hall's bar room sound, but the main focus is clearly on the singing and songwriting abilities of Conley and Roadarmel, who offers a distinctive enough perspective to stand out amid the crowded alt-country masses.

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