Track Listing 1. Rescue Mission 2. Don't Get Too Misty Eyed 3. Tonight The Comedian Died 4. Silk Spectre 5. We'll Live Longer 6. You Quit! 7. Only Two Names Remain 8. American Dream, The 9. Edward Blake - The Comedian 10. Last Laugh, The 11. Prison Fight 12. Just Look Around You 13. Dan's Apocalyptic Dream 14. Who Murdered Hollis Mason? 15. What About Janie Slater? 16. I'll Tell You About Rorschach 17. Countdown 18. It Was Me 19. All That Is Good 20. Requiem 21. I Love You
| Details | | Producer: | Tyler Bates | | Distributor: | WEA (Distributor) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Composer: Tyler Bates. Personnel: Lisa Papineau (vocals); Susie Stevens Logan, Andrea Robinson, Karen Whipple, Mary Hyland, Jenny Graham, Holly Pitrago, Diane Freiman, Joan Beal, Linda Harmon, Lisbeth Scott, Scottie Haskell, Samela Beasom, Teri Koide, Virenia Lind, Elissa Johnston (soprano); Christy Crowl, Clydene Jackson, Ann White, Edie Lehmann, Edie Lehmann-Boddicker, Luana Jackman, Amy Fogerson, Leanna Brand, Sheri Izzard, Melissa Mackay, Kathryn Bostick, Donna Medine, Debbie Hall Gleason, Cindy Bourquin, Alice Murray, Aleta Braxton, Bobbi Page, Carmen Twillie (alto); Greg Whipple, Steven Harms, Fletcher Sheridan, Dan Chaney, Agostino Castagnola, Dick Wells, Guy Maeda, Amick Byram, Walt Harrah, Randy Crenshaw, Michael Lichtenauer, Jonathan Mack, Gary Stockdale, David Joyce, Gerald White (tenor); Eric Bradley, Jon Joyce, Bob Joyce, David Loucks, Tonoccus McClain, Stephen Grimm, Ryan Alvarez, Royce Reynolds, Reid Bruton, Mark Beasom, Kerry Katz, Ed Zajak, Drew Harrah, Alvin Chea, Scott Dicken, Michael Geiger, Bill Edwards (baritone); Tyler Bates (guitars, synthesizer, loops); Greg Ellis (hammer dulcimer, percussion); Eun Mee Ahn, Alyssa Park, Katia Popov, Marc Sazer, Tammy Hatwan, Ana Landauer, Alan Grunfeld, Phil Levy, Lily Ho Chen, Justine Leichling, Helen Nightingale, Joel Derouin, Julie Rogers, Kevin Connolly, Mark Robertson, Sid Page, Jacqueline Brand, Roberto Cani, Bruce Dukov, Julie Gigante, Natalie Leggett, Sara Parkins, Sarah Thornblade, Neel Hammond, Darius Campo, Liane Mautner, Josefina Vergara, Belinda Broughton, Caroline Campbell, Tereza Stanislav (violin); Marlow Fisher, Shawn Mann, Vickie Miskolczy, Dave Walther, Brian Dembow, Keith Greene, Thomas Diener, Alma Fernandez, Andrew Duckles, Matt Funes (viola); Giovanna Clayton, Richard Feves, Trevor Handy, Sue Ranney, Bruce Morgenthaler, Peter Doubrovsky, Frances Liu Wu, Dennis Karmazyn, Erika Duke-Kirkpatrick, Oscar Hidalgo, Kim Scholes, Andrew Shulman, Cecilia Tsan, Victor Lawrence, Ed Meares, Steve Erdody, Paul Cohen, Ann Atkinson (cello); Geri Rotella, Heather Clark (flute); Don Foster, Stuart Clark, Ralph Williams (clarinet); Judy Farmer, Rose Corrigan (bassoon); Jon Lewis, Larry Hall, Rick Baptist, Wayne Bergeron (trumpet); Paul Klintworth, Steve Becknell, Dan Kelley, Kristy Morrell, Ken Munday, Jennie Kim, Laura Griffith, Mark Adams, Jim Thatcher (French horn); Phil Teele, Alex Iles, Bill Reichenbach, Steve Holtman (trombone); Doug Tornquist (tuba); Randy Kerber (piano); Wolfgang Matthes (synthesizer); Chris Chaney (electric bass); Gary Novak (drums, taiko, percussion); Zack Shipono (taiko); Mike Fisher, Bob Zimmitti, Brian Kilgore (percussion); Dieter Hartmann (loops). Recording information: Bernie Grundman Mastering, Hollywood, CA. Vocalist: Sally Stevens. WATCHMEN is billed as the blockbuster event film of 2009. Directed by Zack Snyder (300, DAWN OF THE DEAD), and based on the most coveted comic book graphic novel in history, the film begins as a pulp noir superhero murder mystery and escalates into a science-fiction-inspired near-apocalypse--all set in an alternate-reality 1985, where Richard Nixon is President. Scoring the film is Snyder's go-to guy, Tyler Bates, who composed the music for both of the director's previous efforts, as well as THE DAY THE EARTH STOOD STILL, ROB ZOMBIE'S HALLOWEEN, and THE DEVIL'S REJECTS. Bates is well known for his melding of multiple musical genres to create time-specific tension and ambiance. With WATCHMEN, he employs New Wave-sounding synthesizers, hard rock guitars, and industrial resonance to create the alternate-reality, mid-`80s atmosphere. The result is a film score that is both emotionally riveting and highly creative.
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