Voodoo! by Robert Drasnin (CD, Feb-1996, Bacchus Archives) 
Voodoo! by Robert Drasnin (CD, Feb-1996, Bacchus Archives)

 
Voodoo! by Robert Drasnin (CD, Feb-1996, Bacchus Archives)

Artist: Robert Drasnin
Release Date: Feb 1996
Format: CD
Record Label: Bacchus Archives
Genre: Easy Listening, Exotica
UPC: 053477000929
Product ID: EPID3217275
Description: Personnel includes: Robert Drasnin (piccolo); Sally Terri (vocals); Ronnie Lang (flute); Frank Capp, Milt Holland (percussion). Recorded in the 1950s. Includes liner notes by Skip Heller. Most music fans don't know of Robert Drasnin, but...
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Voodoo! : Robert Drasnin (CD, 1996)
Excellent condition. Complete packaging. Fast shipping & friendly Midwestern
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Voodoo! : Robert Drasnin (CD, 1996)
Fine Excellent condition. Complete packaging. Fast shipping & friendly Midwestern
Condition: Like New
 
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Voodoo! : Robert Drasnin (CD, 1996)
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Page 1 of 1
Track Listing
1. Chant of the Moon
2. Desiree
3. Hindara
4. Orincoco
5. Warm Night Wind
6. Mirage
7. Voodoo
8. Jardin de la Noche
9. Tambuku
10. You
11. Paradise
12. Enchantment

Details
Contributing Artists:Frank Capp
Distributor:Lumberjack-Mordam Music G
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel includes: Robert Drasnin (piccolo); Sally Terri (vocals); Ronnie Lang (flute); Frank Capp, Milt Holland (percussion).
Recorded in the 1950s. Includes liner notes by Skip Heller.
Most music fans don't know of Robert Drasnin, but if they're also fans of classic television, they've heard his music: Drasnin scored the music for "Mission: Impossible," "The Twilight Zone," and "The Man From Uncle," among others. He got his start in the music business playing saxophone and flute with Tommy Dorsey, Les Brown and Red Norvo, and later studied composition with film score giant Miklos Rosza and classical composer Lukas Foss. In the '50s, the exotica (a sort-of-hybrid of the tropical/Hawaiian/Southeast Asian music, Tito Puente-style Latin music and lounge jazz) of Martin Denny was all the rage, and a tiny record company prevailed upon Drasnin to come up with a suitable counterpart. He succeeded, and virtually surpassed the man he was supposed to be copying.
The band, consisting of Drasnin on piccolo, two flutes, piano, harp, bass, and six percussionists, with Sally Terri providing wordless vocals, is delicate and inspired, and Drasnin's compositions show wit, warmth and a remarkable sense of spaciousness. This isn't just some corny or kitschy item of nostalgia for the ain't-we-hip set--it's intelligent mood music, cinematic music without a film, and jazz-tinged easy listening that doesn't condescend to the listener.

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