
The Pleasure Is in the Details
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You have to appreciate the technical details in this film to get a better understanding of why it holds such an esteemed cult status. The visuals and the other small details are the key: casting, locations, scenery, acting, lighting, sound and camera-work. Parse it out, then put it all together and come up with your own meaning. This is a character movie and the two biggest characters are the late model GTO and the hopped up '55 Chevy that are raced across the country on two-lane blacktop back roads.
Well-known character actor and Monte Hellman favorite, Warren Oates ("GTO"), plays the biggest braggart and lying story teller you can imagine--he's "bigger than life". Juxtapose Oates's constant BS with the taciturn and straight forward (when he speaks) James Taylor ("The Driver") (about as lifeless a character as you can imagine, but appears to be living in the here and now, except when it comes to money to keep his enterprise going) to see extremes in human behavior. Hellman gets the most out of his cast, and the director's comments reveal how much time was spent casting the movie. "The Girl" is a frenetic character, who flits from one male character to another; perhaps representing a female paradigm of inconstancy and indecision, she seems to be the only character who doesn't know where she's headed, but she still goes with the flow. Also features a scene with Harry Dean Stanton (H. D. Stanton in the credits), playing a homosexual hitchhiker (Stanton has admitted that his friend, director Monte Hellman, didn't tell him that he would be playing a gay man until the scene was shot) who is picked up by Oates in Oklahoma. Dennis Wilson is a kick as "The Mechanic", who seems to reflect the personalities of the other three main characters.
The movie is slowly paced. Those who prefer big-time action films or were raised on "Sesame Street" may have difficulty sitting through this one. Those who think a character study movie involves a lot of talking may fall asleep. Those who prefer a movie that has an ending that doesn't leave them hanging, will not like the fact that this movie ends with no real resolution, as The Girl, GTO, The Driver and The Mechanic go their separate ways. But, isn't that what your life is like until you die? What's a metaphor, if not this movie?
Review ID: 10000000004155323

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