JAMIE CULLUM**TWENTYSOMETHING**CD
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CD: JAMIE CULLUM - TWENTYSOMETHING
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Twentysomething by Jamie Cullum (CD, May-2004, Verve USA) 
Twentysomething by Jamie Cullum (CD, May-2004, Verve USA)

 
Twentysomething by Jamie Cullum (CD, May-2004, Verve USA)

Artist: Jamie Cullum
Release Date: May 2004
Format: CD
Record Label: Verve (USA)
Genre: Contemporary R&B, R&B
UPC: 602498176757
Product ID: EPID6494344
Description: Personnel include: Jamie Cullum (vocals, accordion, Fender Rhodes piano, Wurlitzer piano, Hammond b-3 organ, Mellotron); John Paricelli (guitar); Alan Barnes (alto saxophone); Ben Castle (tenor saxophone); Martin Shaw (trumpet, flugelhor...
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22 results|Group by condition
Track Listing
1. These Are the Days
2. Twentysomething
3. Wind Cries Mary
4. All at Sea
5. Lover, You Should've Come Over
6. Singin' in the Rain
7. I Get a Kick Out of You
8. Blame It on My Youth
9. High and Dry
10. It's About Time
11. But For Now
12. I Could Have Danced All Night
13. Next Year, Baby
14. What a Diff'rence a Day Made
15. Frontin' - (live, bonus track, with Pharrell Williams)

Details
Producer:Stewart Levine
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel include: Jamie Cullum (vocals, accordion, Fender Rhodes piano, Wurlitzer piano, Hammond b-3 organ, Mellotron); John Paricelli (guitar); Alan Barnes (alto saxophone); Ben Castle (tenor saxophone); Martin Shaw (trumpet, flugelhorn); Geoff Gascoyne (bass instrument); Michael Strange (drums); Francis Fuster (percussion).
Recording information: 07/2003.
Young pianist/vocalist Jamie Cullum, made a sizeable splash in a post-Norah Jones world of jazz-influenced, acoustic-leaning singer/songwriters. Whether he's performing "Singin' in the Rain" in a Stevie Wonder style or channeling Jimi Hendrix through Stax via Van Morrison on "Wind Cries Mary," Cullum helps to redefine interpretive singing in the early 21st century on TWENTYSOMETHING. (Who says you can't play a convincing cover of Radiohead's "High and Dry" based on an Ahmad Jamal line?) There is nothing slavish about Cullum's approach, as his soulful swinging and slightly ragged-edged crooning reveal a very musical soul. Playing off Cullum's charming presence, Stewart Levine uses analog production to give the proceedings a deep, warm glow.

Editorial Reviews
[It] does go nice with Chardonnay and soft furnishings.
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