Portions of this page Copyright 1948 - 2008 Muze Inc.
All rights reserved.
All rights reserved.
All rights reserved.| Track Listing 1. Ballad of a Well-Known Gun 2. Come Down in Time 3. Country Comfort 4. Son of Your Father 5. My Father's Gun 6. Where to Now St. Peter? 7. Love Song 8. Amoreena 9. Talking Old Soldiers 10. Burn Down the Mission - (live) 11. Into the Old Man's Shoes 12. Madman Across the Water - (original version)
Album Notes Personnel: Elton John (vocals, piano, organ); Mick Ronson (guitar); Caleb Quaye (acoustic guitar, electric guitar); Lesley Duncan (acoustic guitar, background vocals); Mike Egan (acoustic guitar); Les Thatcher (6-string guitar, 12-string guitar); Gordon Huntley (steel guitar); Skaila Kanga (harp); Johnny Van Derek (violin); Ian Duck (harmonica); Karl Jenkins (oboe); Brian Dee (organ); Chris Laurence (acoustic bass guitar); Dee Murrey (bass guitar, background vocals); Dave Glover, Herbie Flowers (bass guitar); Roger Pope (drums, percussion); Nigel Olsson (drums, background vocals); Barry Morgan (drums); Robin Jones (congas, tambourine); Dusty Springfield, Madeline Bell, Sunny Leslie, Tony Burrows, Tony Hazzard, Kay Garner, Sue Glover, Tammi Hunt (background vocals). Liner Note Authors: John Tobler; Gus Dudgeon. Recording information: Trident Studios, London, England. Recorded in the charmed period between the initial success of ELTON JOHN and superstar extravaganzas like GOODBYE YELLOW BRICK ROAD, TUMBLEWEED CONNECTION, a loose concept album about the American West, was a strange, sideways move for Elton John and songwriting partner Bernie Taupin. A album in the traditional sense, it is best heard as a piece, with songs that pick up and expand on each other's moods and settings. Notice, for example, the progression of characters from the young fighter waving "My Father's Gun," to the retired and forgotten "Talking Old Soldiers," to the protagonist of "Where To Now St. Peter?," shot down by "a sweet young foreign gun" and ready to be judged by his maker. The mood holds from the sepia-toned LP cover art to John's songwriting, influenced by folk and country music and by The Band's MUSIC FROM BIG PINK. Among the songs it introduced were "Country Comfort," which Rod Stewart covered on GASOLINE ALLEY, and "Come Down In Time," later done by both Judy Collins and Sting. Though the rollicking piano epic "Burn Down The Mission" and "Amoreena" became FM-radio and concert staples, TUMBLEWEED CONNECTION remains the only John studio album without a hit single, a fact that doesn't affect the impact of this excellent country-rock outing. Editorial Reviews Q (08/01/1995) Rolling Stone (02/18/1971) | Find errors in the product description? Submit a catalog update request now. | ||||||||||||||
Review created: 08/11/00 by: Terry212am -- a member of Epinions Pros: the best of Elton's early work Cons: one song is a clunker Elton John is, besides the Rolling Stones, the biggest surviving elder statesman of rock and roll. Even giants like Paul McCartney have faded in the public eye (though, of course, their earlier work will survive for at least decades). Elton holds the record for the most years consistently in the "Top 10." I think he's up to 30 consecutive years (although I can't imagine what the hit from 1979 was!) Why is it, then, that some of his early, best work isn't well-known? Everyone knows Rocket Man. Most people know "Your Song," his signature 1970 ballad and first real hit. "Your Song" came from Elton John's second album, a self-titled work. After that success, Elton released a "Tumbleweed Connection", the "Friends" soundtrack, "Madman Across the Water" (featuring the hit "Tiny Dancer") and a live effort, "11-17-70." This handful of albums stand as a mini-era. They all have a somewhat similar, dark sound that Elton explored fully before moving on to become the glitzy "B*tch is Back" mid-70s Pinball Wizard Captain Fantastic diva. Tumbleweed Connection has to be the best of those early albums. Interestingly, it features different musicians than those that would eventually become the "classic" "original" lineup. "Tumbleweed" is almost a concept album. Most of the songs are narratives from some character or another, and most of them seem written from the viewpoint of 1800s Southern Americans. One song, in fact, is written from the defiant viewpoint of a Confederate soldier. Only an English, gay, soul (and thus, African-American-friendly) artist could get away with that topic. It probably wouldn't fly today. And yet, the whole album works, conceptually. The lyrics are strong, the vocals are incredible, and the piano is just wonderful, often sounding like an 1800s player piano. "Talking to Old Soldiers" is quite simply my favorite all-time song. "Ballad of a Well-Known Gun", "Burn Down the Mission" (later featured on a few live albums) and "Amoreena" are ear candy and pop soul that can't be dismissed. Of all the songs, perhaps "Love Song" (a duet with another songwriter, a rare non-Bernie Taupin lyric) doesn't hold up. Though Elton claims, on the 1976 live album "Here and There", that people tell him it's their favorite from the album, I suspect he just claimed that in order to introduce the songwriter who then performed the song with him. Elton rocks a little more than you might expect. Caleb Quaye's guitars are "dirtier" than current and longtime guitarist Davey Johnstone's. If you have ANY capacity to enjoy Southern Rock or Elton John---don't hesitate...buy this album. (And then buy Madman Across the Water, a close second to this one.) Review ID: 10000000000222763 Epinions.com ratings are not included in the item's average rating. Links in this review may have been removed. |
| Replace this search |
Email me daily when new items match my search for | |