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Triple Play: Hampton, Hendricks, Grappelli Live at the Blue Note [Box] by Lionel Hampton (CD, Jan-1999, 3 Discs, Telarc) 
Triple Play: Hampton, Hendricks, Grappelli Live at the Blue Note [Box] by Lionel Hampton (CD, Jan-1999, 3 Discs, Telarc)

 
Triple Play: Hampton, Hendricks, Grappelli Live at the Blue Note [Box] by Lionel Hampton (CD, Jan-1999, 3 Discs, Telarc)

Release Date: Jan 1999
Format: CD
Number of Discs: 3 Discs
Record Label: Telarc
Genre: Jazz Instrument
UPC: 089408345524
Product ID: EPID3298933
Description: Originally released as three separate albums: LIVE AT THE BLUE NOTE/BOPPIN' AT THE BLUE NOTE/LIVE AT THE BLUE NOTE. LIONEL HAMPTON: LIVE AT THE BLUE NOTE Personnel: Lionel Hampton (vibraphone); James Moody, Buddy Tate (tenor saxoph...
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Track Listing
DISC 1: LIVE AT THE BLUENOTE:
1. Ow! - (with Lionel Hampton & The Golden Men Of Jazz)
2. Hamp's Note - (with Lionel Hampton & The Golden Men Of Jazz)
3. Moody's Mood For Love - (with Lionel Hampton & The Golden Men Of Jazz)
4. I Wish I Knew - (with Lionel Hampton & The Golden Men Of Jazz)
5. Lover - (with Lionel Hampton & The Golden Men Of Jazz)
6. Flyin' Home - (with Lionel Hampton & The Golden Men Of Jazz)
7. Hamp's Boogie Woogie - (with Lionel Hampton & The Golden Men Of Jazz)

DISC 2: BOPPIN' AT THE BLUE NOTE:
1. Get Me to the Church on Time - (with Jon Hendricks & The All-Stars)
2. Do You Call That a Buddy? - (with Jon Hendricks & The All-Stars)
3. Good Ol' Lady - (with Jon Hendricks & The All-Stars)
4. Contemporary Blues - (with Jon Hendricks & The All-Stars)
5. Everybody's Boppin' - (with Jon Hendricks & The All-Stars)
6. Almost Like Being in Love - (with Jon Hendricks & The All-Stars)
7. Roll 'Em Pete - (with Jon Hendricks & The All-Stars)
8. It's Sand, Man - (with Jon Hendricks & The All-Stars)
9. Since I Fell For You - (with Jon Hendricks & The All-Stars)
10. Shiny Stockings - (with Jon Hendricks & The All-Stars)
11. One O'Clock Jump - (with Jon Hendricks & The All-Stars)

DISC 3: LIVE AT THE BLUE NOTE:
1. All God's Chillun Got Rhythm - (with Stephane Grappelli)
2. Night and Day - (with Stephane Grappelli)
3. I Get a Kick Out of You - (with Stephane Grappelli)
4. It's You or No One - (with Stephane Grappelli)
5. I Let a Song Go Out of My Heart - (with Stephane Grappelli)
6. Honeysuckle Rose - (with Stephane Grappelli)
7. 'S Wonderful / Someone To Watch Over Me / I Got Rhythm - (with Stephane Grappelli)
8. Nuages - (with Stephane Grappelli)
9. Daphne - (with Stephane Grappelli)
10. Blue Moon - (with Stephane Grappelli)
11. Do You Know What It Means to Miss New Orleans - (with Stephane Grappelli)
12. Lady Be Good - (with Stephane Grappelli)
13. I'm Thru With Love / I'll Never Be The Same / I Can't Give You Anything But Love - (with Stephane Grappelli)
14. Sweet Georgia Brown - (with Stephane Grappelli)

Details
Distributor:Fontana Distribution
Recording Type:Live
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Originally released as three separate albums: LIVE AT THE BLUE NOTE/BOPPIN' AT THE BLUE NOTE/LIVE AT THE BLUE NOTE.
LIONEL HAMPTON: LIVE AT THE BLUE NOTE
   
Personnel: Lionel Hampton (vibraphone); James Moody, Buddy Tate (tenor saxophone); Clark Terry (trumpet, flugelhorn); Harry "Sweets" Edison (trumpet); Al Grey (trombone); Hank Jones (piano); Milt Hinton (bass); Grady Tate (drums).
   
JON HENDRICKS: BOPPIN' AT THE BLUE NOTE
Personnel includes: Jon Hendricks, Judith Hendricks, Michele Hendricks, Aria Hendricks, Kevin Burke (vocals); Benny Golson (alto saxophone); Red Holloway (tenor saxophone); Lew Soloff, Wynton Marsalis (trumpet); Al Grey (trombone); Renato Chico (piano); Mark Elf (guitar); Ugonna Okegwo (bass); Andy Watson (drums).
STEPHANE GRAPPELLI: LIVE AT THE BLUE NOTE
Personnel includes: Stephane Grappelli (violin); Bucky Pizzarelli, John Pizzarelli (guitar); John Burr (bass).

Editorial Reviews
4 Stars - Very Good - ...Grappelli's attack has not only remained rock sure and steady. It has remained deeply rooted and resistant to adulteration and influence....the rhythmic power is irresistible....Like all the best early swing, it exists outside the reach of fashion of a bubble of eternal validity...
Down Beat (05/01/1996)

4 Stars - Excellent - ...the only jazz fiddler you can ever think of swung like a bastard. Beyond jaunty, his `Night And Day' is a marvel of disciplined aesthetics.
Q (08/01/1996)

...timelessly hip and swinging in a way that the efforts of derivative groups....too often are not. - Rating: A
Entertainment Weekly (07/14/1995)

...a bubbling cauldron of spicy, ravishing emotion....It doesn't take a Hendricks buff to appreciate how well this collaboration of words, sounds, and utterances combines with the sonic beauty of the instrumental timbres, showcasing voice and music as compatible jazzmates.
Jazziz (10/01/1995)

3.5 Stars - Good/Very Good - A front line of top instrumental soloists in fine form infuses the Jon Hendricks family with enough added interest to hoist this live CD comfortably above the average mark...
Down Beat (10/01/1995)

...a once-in-a-blue-moon congregation of swing-era giants, and they were in full throttle for this gig... - Rating: B+
Entertainment Weekly (11/15/1991)

4 Stars - Excellent - ...the only jazz fiddler you can ever think of swung like a bastard. Beyond jaunty, his `Night And Day' is a marvel of disciplined aesthetics.
Q (08/01/1996)

4 Stars - Very Good - ...Grappelli's attack has not only remained rock sure and steady. It has remained deeply rooted and resistant to adulteration and influence....the rhythmic power is irresistible....Like all the best early swing, it exists outside the reach of fashion of a bubble of eternal validity...
Down Beat (05/01/1996)

...a bubbling cauldron of spicy, ravishing emotion....It doesn't take a Hendricks buff to appreciate how well this collaboration of words, sounds, and utterances combines with the sonic beauty of the instrumental timbres, showcasing voice and music as compatible jazzmates.
Jazziz (10/01/1995)

...These men don't just draw upon tradition, they wrote it...there's no denying the joy, grace and easy mastery on display...
Musician (08/01/1992)

...timelessly hip and swinging in a way that the efforts of derivative groups....too often are not.
Entertainment Weekly (07/14/1995)

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