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THE ASTEROID #4 - THESE FLOWERS OF...
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These Flowers of Ours: A Treasury of Witchcraft and Devilry [Slimline] * by Asteroid #4 (The) (CD, Jan-2009, Cargo Records) 
These Flowers of Ours: A Treasury of Witchcraft and Devilry [Slimline] * by Asteroid #4 (The) (CD, Jan-2009, Cargo Records)

 
These Flowers of Ours: A Treasury of Witchcraft and Devilry [Slimline] * by Asteroid #4 (The) (CD, Jan-2009, Cargo Records)

Artist: Asteroid #4 (The)
Release Date: Jan 2009
Format: CD
Record Label: Cargo Records
Genre: Psychedelic, Rock & Pop
UPC: 689492077228
Product ID: EPID70497197
Description: The Asteroid #4: Eric Harms, Adam Weaver, Ryan von Kried. Personnel: Aislim Van Kried (vocals); Scott Vitt (guitar); Damine C. Taylor (bass instrument). Following in the footsteps of the Brian Jonestown Massacre, whose if-you-love-someth...
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12 results|Group by condition
Track Listing
1. My Love
2. Let It Go
3. Hold On
4. I Look Around
5. She's All I Need
6. War
7. Flowers of Ours
8. Hei Nah Lah
9. She Touched The Sky
10. All Fall Down
11. Empty Like A Little Child

Details
Distributor:Redeye Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
The Asteroid #4: Eric Harms, Adam Weaver, Ryan von Kried.
Personnel: Aislim Van Kried (vocals); Scott Vitt (guitar); Damine C. Taylor (bass instrument).
Following in the footsteps of the Brian Jonestown Massacre, whose if-you-love-something-love-it-even-more aesthetic kickstarted a wave of unabashedly retro neo-psych among indie rock circles in the mid '90s, the Asteroid No. 4 make no bones about seriously digging the Byrds--and basically anyone and everyone who was tripping in Laurel Canyon in 1968--on their fifth full-length, THESE FLOWERS OF OURS: A TREASURY OF WITCHCRAFT AND DEVILRY. Released on BJM leader Anton Newcombe's label, the Committee to Keep Music Evil, THESE FLOWERS finds the Philadelphia sextet further honing their sundappled sound and spiking the standard Byrdsy jangle with the immersive sonics and intensity of early '90s shoegazers. By tapping into the euphoric properties of noise--to the best effect on songs such as "Let it Go" and "I Look Around"--the band finds their own patch of grass in a pasture crowded by like-minded but lesser bands.

Editorial Reviews
With all the hallmarks of the classic folk rock album on display -- a bit of harmonica, loud, jangly guitars and cheery vocal outros -- it's hard not to enjoy it.
Clash

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