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All rights reserved.| Movie Description Every thief dreams of the big heist that will allow him to leave the business of crime behind. Every thief except Nick (Robert De Niro), a cool, methodical safecracker who never takes on long-shot jobs until his longtime partner, Max (Marlon Brando), offers him the big score--to filch a priceless scepter from the Montreal customs house. Wary about the job, Nick and the hotheaded customs house "insider," Jackie (Edward Norton), begin to dissect the elaborate details of entering the building, avoiding the security measures, blowing the safe, and escaping with the scepter. But as in every thrilling crime caper, plans go awry. Skilled comic director Frank Oz is clearly comfortable working with the best method actors from the past three generations. Brando's Max bursts with joyful cynicism, while De Niro is Brando's perfect foil, so collected that every smile seems like a revelation. Norton's Jackie is far more expressive, but it is Norton's smallest movements--holding a gaze a half beat too long--that hint at the secret motives pulsing beneath his skin. Smooth like the scotch Nick likes to drink, and swirling with tension, THE SCORE provides the real payoff to the audience.
Notes DVD Features: Region 1 Keep Case Widescreen Audio: Dolby Digital 5.1 - English Additional Release Material: Audio Commentary - 1. Frank Oz - Director, Rob Hahn - Director of Photography Trailer - 1. Original Theatrical Additional Footage Interactive Features: Interactive Menus Scene Selection, Theatrical Release: JULY 13, 2001 Editorial Reviews Variety - Robert Koehler (07/16/2001) Entertainment Weekly - Owen Gleiberman (07/20/2001) Rolling Stone - Peter Travers (08/02/2001) Los Angeles Times - Kenneth Turan (07/13/2001) Sight and Sound - Edward Buscombe (10/01/2001) Chicago Sun-Times - Roger Ebert (07/13/2001) | Find errors in the product description? Submit a catalog update request now. | ||||||||||||
Review created: 07/15/01 by: nwinston -- a member of Epinions Pros: Actors De Niro, Norton and Brando give great performances. Cons: Angela Bassett is not on screen enough. Pacing was slow in places. ~~~~~~~~~ Theater = Entertainment ~~~~~~~~~ Theater going isn't on my regular to-do list. It fell off around the time my first son turned one. So when I do get released from parent shackles for a night on the town, I want to be entertained. Tickets were difficult to pre-order for The Score. It seems everyone in town wanted to see it tonight. When I finally found some tickets, I felt like I had won the Publishers' Clearing House Sweeps. Tons of ads and previews later, the movie started to a hushed full house. ~~~~~~~~~~~~~ Plot Appetizers ~~~~~~~~~~~~ De Niro was on screen, competently burgling some estate. Minor complications with a recreational smoker slowed him down. As he leaves the scene heading for home, we see his efficient operation. Smooth, quiet and low key, Nick Wells is a true pro at the business of property redistribution. Enter Brando. As Max the fence, Brando looks better than I expected. He's in deep to some tough guys and needs Nick to pull a bigger, riskier job than usual. Nick agrees to do the cliched "one last job" before settling down with his jazz club. Max has an inside guy for the job. Jack is played like a violin by Edward Norton. He is a bit of a loose cannon. He confronts Nick in Nick's part of town, a big no-no. Nick's aid, Burt, goes to teach Jack a lesson. We see Jack's personality show itself by the way this scene plays out. For his inside role, Jack becomes Bryan, a man with physical and mental differences. Highly believable, Norton gives Bryan a cloak of invisibility. Like the homeless, those differently abled are often overlooked. Weakly portrayed, the relationship between Diane (Angela Bassett) and Nick is supposed to be the inducement for Nick's gamble. Sadly, it doesn't work. Bassett's limited screen time gives us no opportunity to believe Nick's motivation. This movie is rated "R". Can't we see a little passion between these two? De Niro has gotten a little older but is still sexy. The Score should give us at least a hint of a relationship between these protagonists. Nick gets loads of warning signs about this final big job. Should he back out? If he does, his promise to Diane and his commitment to Max will be undermined. Save himself? Or risk all for the sake of relationships? The movie ends with some great scenes. I'm not going to give away anything here you can't gather from a trailer or website. That wouldn't be fair. Let's just say that "Old age and Trickery will overcome youth and ambition" should be Nick's mantra. ~~~~~~~~~~~~~ Bottom Line ~~~~~~~~~~~~~ Bottom line on this film is that it works, even though some weaknesses are present. The passion between Bassett and De Niro needs reheating. The security systems on priceless antiquities in Montreal are seriously inadequate (at least as portrayed in this film). These down sides aren't enough to stop me from recommending this film. Great performances by the principals make this a worthwhile outing. My fellow audience members were engrossed in the final scenes. The Score gave me my money's worth of entertainment. If you love De Niro or Brando, see it on the big screen. Montreal is a beautiful city. It's never looked better than it does in this film. Thanks to Michaelhead for reminding me that Montreal deserves part of the credit in this movie. ~~~~~~~~~~~~~ Rating Guidance ~~~~~~~~~~~~~ Loads of bad language. Very little violence. No sex scenes. Rated R. Review ID: 10000000001852771 Epinions.com ratings are not included in the item's average rating. Links in this review may have been removed. |
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