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Tete a Tete by E. H. Gombrich, Henri Cartier-Bresson (1998, Hardcover) 
Tete a Tete by E. H. Gombrich, Henri Cartier-Bresson (1998, Hardcover)

 
Tete a Tete by E. H. Gombrich, Henri Cartier-Bresson (1998, Hardcover)

Publisher: Bulfinch Pr
Publication Date: 1998-09-01
Language: English
Format: Hardcover
ISBN-10: 0821225626
ISBN-13: 9780821225622
Product ID: EPID1111397
Portions of this page Copyright 1995 - 2009 Muze Inc. All rights reserved.
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Details
Publication Date:1998-09-01

Size
Length:144 pages
Height:12.3 in
Width:10.0 in
Thickness:0.8 in
Weight:43.2 oz

Publisher's Note
Over the last half century Henri Cartier-Bresson has photographed some of the most famous icons of the twentieth century, those few people among millions whose images pass into history. Tete a Tete is a remarkable arrangement of his most memorable portraits, including Pablo Picasso, Truman Capote, Marilyn Monroe, Lucien Freud, William Faulkner, Robert Kennedy, Che Guevara, Martin Luther King Jr., Coco Chanel, and the Dalai Lama. Beyond these famous names there are also anonymous portraits, chosen for their striking and unusual features, and a selection of pencil drawings, including a self-portrait. Cartier-Bresson supervised the design of the book and the juxtaposition of all the photographs. The result is a distinguished collection of his work, diverse in its range of extraordinary and ordinary personalities from the 1930s to the 1990s. Tete a Tete reveals Cartier-Bresson as a photographer who is as skillful in recording the subtleties of the individual portrait as he is renowned for his masterful ability to capture the decisive moment.

Industry Reviews
Cartier-Bresson is well known as a master of portrait photography, a visual detective unraveling the mystery of people by revealing so much in his images. Whether his gift is the conscious convergence of people, environments, and light or an amazing coincidence of these elements when he is present, his work is familiar, even comforting. These portraits are how we think of Sartre, Picasso, Sontag, and others. Cartier-Bresson also captures anonymous people who present themselves to his camera with a relaxed honesty of self and spirit. The late art historian E.H. Gombrich's introductory text is respectful, analytical, and a valuable asset to those who will wander through this bound gallery of the photographer's best work. Perhaps the nicest surprise is the inclusion of Cartier-Bresson's pencil drawings, which show the artist's skills in another medium. Recommended. David Bryant, New Canaan P.L., CT
Kolchin

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