Track Listing
1. Test for Echo
2. Driven
3. Half the World
4. Color of Right, The
5. Time and Motion
6. Totem
7. Dog Years
8. Virtuality
9. Resist
10. Limbo
11. Carve Away the Stone
| Details | | Producer: | Alex Lifeson, Geddy Lee, Neil Peart, Peter Collins, Rush | | Distributor: | WEA (Distributor) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
Rush: Geddy Lee (vocals, synthesizer, bass); Alex Lifeson (acoustic & electric guitars, mandola); Neil Peart (drums, hammered dulcimer).
Recorded at Bearsville Studios, Bearsville, New York and Reaction Studios, Toronto, Canada from January to March 1996.
Personnel: Geddy Lee (vocals, synthesizer, bass guitar); Alex Lifeson (acoustic guitar, electric guitar, mandola); Neil Peart (dulcimer, hammer dulcimer, drums, cymbals).
Audio Mixer: Andy Wallace.
Recording information: Bearsville Sound Studios, Bearsville, NY (01/1996-03/1996); Reaction Studios, Toronto, Ontario, Canada (01/1996-03/1996).
Photographers: Eugene Fisher; Richard C. Negus; Dimo Safari; Anthony Frederick; Andrew MacNaughtan.
Unknown Contributor Roles: Hugh Syme; Simon Pressey.
Arrangers: Geddy Lee; Alex Lifeson; Neil Peart; Peter Collins ; Rush.
In 20-plus years together, Rush has rarely varied from its basic formula--two parts musical chops, one part lyrical smarts, and one more part musical chops. This power trio knows its strengths. Drummer Neil Peart writes intelligent lyrics here about global subjects ranging from the Internet ("Virtuality") to comparative religion ("Totem"). But it keeps coming back to the trio's musical interplay, and Rush's ever-ready willingness to experiment with it. Alex Lifeson adds a nice touch to "Half The World" with a mandola, while Geddy Lee's synthesizer flourishes and off-kilter rhythm on "Time And Motion" are vintage Rush.
The most exciting demonstration of Rush's group synchronicity is on the instrumental "Limbo." It starts with the sounds of clinking chains and a bubbling cauldron, before charging forward--occasionally soaring--on waves of guitar, synth and disembodied voices (including a sample from "The Monster Mash"). This is the sound of an intellectual band smart enough not to take itself too seriously.
Editorial Reviews
3 stars out of 5 - [The album] witnessed the re-birth of Rush as a hard rock band....There's a warmth here that had long been missing from Rush's work.
Mojo
...by clearly out-funking the likes of Yes and ELP, Rush prove, at long last, that art rock needn't be lethal.
Entertainment Weekly (10/04/1996)
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