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Stukas Over Disneyland [Remaster] by Dickies (The) (CD, Jul-2004, Overground Records) 
Stukas Over Disneyland [Remaster] by Dickies (The) (CD, Jul-2004, Overground Records)

 
Stukas Over Disneyland [Remaster] by Dickies (The) (CD, Jul-2004, Overground Records)

Artist: Dickies (The)
Release Date: Jul 2004
Format: CD
Record Label: Overground Records
Genre: Punk Rock, Rock & Pop
UPC: 604388640928
Product ID: EPID30738609
Description: The Dickies: Leonard Phillips (vocals, keyboards); Scott Sindon (guitar, background vocals); Stan Lee, Steven Hufsteder (guitar); Billy Club, Laurie Buhne (bass); Jerry Angel (drums, percussion); Chuck Wagon (drums, background vocals). P...
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Track Listing
1. Rosemary
2. She's a Hunchback
3. Out of Sight, Out of Mind
4. Communication Breakdown
5. Pretty Please Me
6. Wagon Train
7. If Stuart Could Talk
8. Stukas Over Disneyland

Details
Producer:Ed Stasium
Distributor:Caroline Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
The Dickies: Leonard Phillips (vocals, keyboards); Scott Sindon (guitar, background vocals); Stan Lee, Steven Hufsteder (guitar); Billy Club, Laurie Buhne (bass); Jerry Angel (drums, percussion); Chuck Wagon (drums, background vocals).
Producers: Robin Geoffrey Cable, Ed Stasium, Liam Sternberg.
Recorded at Wizard Studios & Eldorado Studios, Hollywood, California in September 1980 & January 1983.
The Dickies: Leonard Phillips (vocals, guitar, keyboards); Scott Sindon (vocals, guitar); Billyclub (vocals, bass guitar); Stan Lee, Steve Huffsteter (guitar); Chuck Wagon, Karlos Kaballero (drums).
Recording information: Wizard Studios, Hollywood, California (09/1980); Eldorado Studios, Hollywood, California (01/1983).
The final album released by the Dickies before their (temporary, as it turned out) 1983 breakup is a brief but rocking set that drops the punk affectations almost entirely, revealing the L.A. combo's power pop roots. The Quick's Steven Hofsteder was the band's second guitarist by this point, and his old band's career high point, "Pretty Please Me," is revived here. The opening "Rosemary" and the title track are every bit as tuneful and catchy, while the band's goofball humor comes across in the cheerful massacre of Led Zeppelin's "Communication Breakdown."

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