Track Listing 1. Experience, The 2. Black Ice 3. Fly Away 4. Damm, The 5. Don't Dance No Mo, The 6. Beautiful Skin 7. Gutta Butta 8. Distant Wilderness 9. Green Green 10. I Refuse Limitation 11. See You When I See You 12. Inshallah 13. Just About Over 14. Still Standing 15. (Untitled) - (hidden track)
| Details | | Contributing Artists: | Joi, Outkast | | Distributor: | BMG (distributor) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Goodie Mob: Cee-Lo (rap vocals, drum programming, keyboards, strings); T-Mo (rap vocals, drum programming); Gipp, Khujo (rap vocals). Additional personnel includes: Big Boy, Dre, Cool Breeze, Chiefton, Witchdoctor, Backbone (rap vocals); Organized Noize (various instruments); Donnie Mathis, Carlos Glover, David Whild (guitar); Andre Benjamin (bass guitar); Skinny Miracles (piano); Chanz (keyboards, clavinet, piano); Preston Crump, Tarus Mateen (bass); Mr. DJ (drum programming); Craig Love (programming, guitar); DJ Herb (scratches); Lil' Will, Debra Killings, Joi Gilliam, Whild Peach, Mark & Collier Starks (background vocals). This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Now pioneers of the ATL-styled hip-hop made famous by themselves as well as Outkast, Goodie Mob are still putting it down for the South. Despite the overwhelming success and popularity of the gangster/baller images associated with Southern rap artists, Goodie Mob have stuck with their original formula. With their sophomore album STILL STANDING, Goodie Mob stay true to the winning element in hip-hop: lyrics. Although the Mob take a somewhat political stance in hip-hop, their music has a more ghetto-styled feel that anything else.
Editorial Reviews 4 Mics (out of 5) - ...the southern quartet paint a remarkably phat portrait of positivity on a canvas of gritty, ghetto realism... The Source (05/01/1998)
3.5 Stars (out of 5) - ...grounded in two things sorely lacking in rap nowadays: vision and sincerity....an ingenious concept album...with an uncompromising depiction of the post-civil-rights South....Like Curtis Mayfield...Goodie Mob knows no lyrical boundaries... Rolling Stone (05/14/1998)
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