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All rights reserved.| Track Listing 1. Brown Sugar 2. Sway 3. Wild Horses 4. Can't You Hear Me Knocking 5. You Gotta Move 6. Bitch 7. I Got the Blues 8. Sister Morphine 9. Dead Flowers 10. Moonlight Mile
Album Notes The Rolling Stones: Mick Jagger (vocals); Keith Richards, Mick Taylor (guitar, background vocals); Bill Wyman (bass); Charlie Watts (drums). Additional personnel: Ry Cooder (slide guitar); Paul Buckmaster (strings); Bobby Keys (saxophone); Jim Price (trumpet); Billy Preston (organ); Nicky Hopkins, Ian Stewart, Jim Dickinson, Jack Nitzche (piano); Rocky Dijon (congas); Jimmy Miller (percussion). Engineers include: Glyn Johns, Andy Johns, Jimmy Johnson. Recorded at Muscle Shoals Sound Studio, Muscle Shoals, Alabama and Olympic Studios, London, England. Digitally remastered by Bob Ludwig (Gateway Mastering Studios). Recording information: Olympic Studios, London, England; Muscle Shoals Sound Studios, Muscle Shoals, Alabama. Sounding subdued, or at least more wary than most Stones albums, STICKY FINGERS' 1971 release betrayed the difficulties the band members were enduring. From Mick Jagger's breakup with the emotionally troubled Marianne Faithfull, to Keith Richards's concern about his newborn son Marlon, the band found themselves re-evaluating their lives, and this depth of emotion made its way into the album. Be it in the terrifyingly spare "Sister Morphine" and "Moonlight Mile," or the near-dangerous, electrified "Can't You Hear Me Knocking," the songs on STICKY FINGERS are anything but innocent. The lineup on this album solidified with Mick Taylor in place as a second guitarist. Recorded partially in the legendary Muscle Shoals studio in Alabama, the Stones were flirting with the blues, but adding a Southern soul flavor. Much of STICKY FINGERS is this tasteful mixture of blues and soul. Added to the brew are the spicy horn arrangements of saxophonist Bobby Keys and trumpet player Jim Price. The use of horns in the Stones' repertoire seemed inevitable--when they kick in during "Brown Sugar" and "Bitch," it is as if Richards's guitar is rebirthed in brass. STICKY FINGERS proved that the endless summer of the 1960s was over, but that the Stones would rock just as hard in the following decade. Editorial Reviews Rolling Stone Magazine (06/10/1971) New Musical Express (07/09/1994) Vibe (12/01/1999) Rolling Stone (12/11/2003) | Find errors in the product description? Submit a catalog update request now. | ||||||||||||||||
Reviews The Rolling Stones- Sticky Fingers A truly fantastic Album released in the early 70s, it is my favorite stones album. Why? Because it has a variety of genres of music, from Blues to country it has it all. Listen to- Dead Flowers, Sister Morphine, and can’t you hear me knocking. BUY IT! it is that good, The stones in there prime. Review ID: 10000000003072520 Was this review helpful? Report this review Review created: 11/29/06 by: My favorite Stones album has been Exile On Main Street for a while. After listening to this one, I'm not so sure. That one is a great collection with every song being good, and with it's length, I still have to give Exile the slight edge. That being said, this is right up there with that album. The only difference is that this one has some of the Stone's best songs ever, including some that are ignored on their greatest hits collections. Sure this one has great standards like Brown Sugar and Wild Horses, but 2 songs that are usually ignored on best ofs are Can't You Hear Me Knocking and the underrated Bitch. Those two songs deserve the notoriety that goes with their best songs ever. Knocking is an excellent song through and through including a cool instrumental outro that'll drive you nuts for days because you can't get the cool riffs out of your head. Same with Bitch's main riff. Bitch just plain rocks. The rest of the album is pretty good. Sway, You Gotta Move, Sister Morphine, Moonlight Mile, and I Got The Blues are all better than average songs, and Dead Flowers is a cool song that's crossed between Creedence and Bob Dylan. With little or no filler, Sticky Fingers has what it takes to be one of the best albums of all time. It has great songs and shows once again why Jagger and Richards are one of the best songwriting combos ever. I slightly prefer Exile over this one, if for nothing else, it's album length. But how can you argue with any of their tunes on this one? Brown Sugar, Wild Horses, Can't You Hear Me Knocking, and Bitch are four of their best songs. So this one should definitely be in anyone's collection, whether you're a die hard or casual fan. Even if you have 40 Licks (by far their best Greatest Hits compilation), this one should be in your collection because of the omissions of Knocking and Bitch on that double album. Review ID: 10000000002395015 Was this review helpful? Report this review |
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