
Innovative, but plodding
Review created: 10/25/06(updated 10/25/06)
0 of 2 people found this review helpful.
Star Trek: The Motion Picture is a real departure both from the original Star Trek television series and the movies that followed it. Director Robert Wise, who helmed the science fiction classic The Day the Earth Stood Still back in the 50s, creates a slow and menacing picture in the vein of 2001: A Space Odyssey.
The best elements of this film reflect its differences from the rest of the original Star Trek. William Shatner's acting is beautifully subdued, and his scenes of conflict with the younger, more emotional Commander Decker are among the film's highlights. In fact, Decker resembles the Kirk of the original series more than Shatner's character. Another interesting element of the film is the antagonist. Rather than the typical over-the-top villian of later films, the "enemy" here is a destructive energy cloud of unknown origin, intentions, and composition. Star Trek: The Motion Picutre falls firmly within the realm of "hard sci-fi", driven by interesting human possiblities and situations rather than futuristic technological gizmos. In addition to strong character interactions and an innovative plot, the movie features an amazing soundtrack by Jerry Goldsmith and excellent visual effects. Goldsmith's score is highly memorable, appropriate, and of the highest musical quality. And the effects, right from the opening scene of the Kingon battle crusisers, are top notch and better than anything ever done in the series. Put simply, the film has a great deal of style.
Of course, there is a downside, and it's significant. Probably the film's greatest detraction is the presence of several long, boring, and pointless effects sequences. When Kirk is being transported to the newly refurbished Enterprise, the shots of the ship occupy far too much screen time, specifically 15 miuntes of almost dialogue-free footage. The same problem occurs in the latter half of the film. After the ship penetrates the energy cloud, the drama should rise to a peak. Instead, most of the screen time ends up occupied by meaningless, extended, and uninspiring external visual effects shots that serve to make the film sterile rather than advancing the plot. The film would improve from the deletion of about 20 minutes' worth of material from the Director's Edition (which itself removes pointless scenes from the original film!).
Another major problem with this film is the (mis)characterisation of Spock. After failing to achieve Kolinar (somthing akin to Nirvana), he becomes...disgrunteled. He is rude and icy to the rest of the crew and acts entirely out-of-character throughout the film, especially when he secretly departs on a spacewalk without informing Kirk. He is underutilised and not presented appropriately, and the film suffers for this.
A final problem with the film is that the ultimate complexity of the plot is a bit lacking. While the revelation of the origin of the energy clould is bold and innovative, not nearly enough is done to develop the cloud's character between the ship's entry into it and this revelation. Ilia, who at one point represents the cloud, isn't a particularly good or well-developed character, nor is the actress playing her particularly adpet. A more thoughtful approach to revealing and developing the cloud would have been appropriate.
The film's best elements are what it introduces: the "new" Kingons, the Decker-Kirk conflict, and the cloud. But a greater focus on characters and plot over visuals would improve it.
Review ID: 10000000002180101

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