Synopsis A collection of 30 short stories and poems that cover every topic from the classic Holy-Grail-in-an-antique-shop to sex and AIDS.
| Details | | Publication Date: | 1998-11-01 |
| Size | | Length: | 339 pages | | Height: | 9.8 in | | Width: | 6.3 in | | Thickness: | 1.2 in | | Weight: | 23.2 oz |
Publisher's Note A mesmerizing collection of short stories that combines rare mythic power with profound human insight, from the bestselling author of "Neverwhere".
The distinctive storytelling genius of Neil Gaiman has been acclaimed by writers as diverse as Norman Mailer and Stephen King. Now in this new collection of stories--several of which have never before appeared in print and more than half that have never been collected--that will dazzle the senses and haunt the imagination. Miraculous inventions and unforgettable characters inhabit these pages: an elderly widow who finds the Holy Grail in a second-hand store...a frightened little boy who bargains for his life with a troll living under a bridge by the railroad tracks...a stray cat who battles nightly against a recurring evil that threatens his unsuspecting adoptive family. In these stories, Gaiman displays the power, wit, insight and outrageous originality that has made him one of the most unique literary artists of our day.
Industry Reviews Imaginative twists on old legends and frightening glimpses into the impossible combine to form this impressive collection of 30 stories and poems by the author of Neverwhere and co-creator of The Sandman graphic novels. Each entry skirts the edges of a puncture in reality through which something dark and mysterious peeks. Then it moves on and the apparition is hidden away again, but not forgotten. The narratives follow a dream logic: The angel Raguel, the Vengeance of the Lord, can bum a cigarette off a youth in L.A. and tell him the truth behind Lucifer's fall ("Murder Mysteries"), and nonchalant assassins can be found in the Yellow Pages under pest control ("We Can Get Them for You Wholesale"). The bizarre and disturbing essence of the stories is highlighted by their background of absolute normalcy. Their prose is simple yet evocative, and Gaiman's characters are textured with well-defined personalities. Because the characters treat the unreal as ordinary, the eeriness of what unfolds has all the more impact. In "Chivalry," a woman finds the Holy Grail in a secondhand shop, and Galahad must trade something for it that will look just as good on her mantle. Demons take over London in "Cold Colors," because the devil has learned how to network and God can't get "saintware" up and running. The intriguing world behind these pages is indeed smoke and mirrors, just a step or a word or a story away from our own. (Nov.) Leuchtenburg
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