Track Listing
1. Theme From Shaft - (vocal)
2. Bumpy's Lament
3. Walk From Regio's
4. Ellie's Love Theme
5. Shaft's Cab Ride
6. Cafe Regio's
7. Early Sunday Morning
8. Be Yourself
9. Friend's Place, A
10. Soulsville - (vocal)
11. No Name Bar
12. Bumpy's Blues
13. Shaft Strikes Again
14. Do Your Thing - (vocal)
15. End Theme, The
| Details | | Playing Time: | 69 min. | | Contributing Artists: | The Memphis Horns | | Producer: | Isaac Hayes | | Distributor: | Fantasy (distributor) | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | AAD |
Album Notes
Originally released on Enterprise (2-5002).
Personnel: Isaac Hayes (vocals, piano, electric piano, organ, vibraphone); Michael Toles, Charles Pitts Jr. (guitar); The Memphis Strings (strings); Andrew Love (saxophone); Wayne Jackson (trumpet); Sidney Kirk (piano); Lester Snell (electric piano); James Alexander, Ronnie Hudson (bass instrument); Willie Hall (drums, percussion); Gary Jones (congas, bongos).
The title track's perennially recognizable hi-hat and wah-wah guitar intro, interlocking horn/string parts, and smooth, proto-rap verses conjure the name SHAFT as surely as a snake-charmer's incantation. It also conjures the name of Isaac Hayes--the songwriter, arranger, musician, and producer responsible for the phenomenally successful soundtrack to the landmark 1971 Blaxploitation film. Hayes's status as a key player in the Stax/Volt soul empire, and as a solo artist of considerable renown, went through the roof with this double-LP (now compiled on a 70-minute CD).
Hayes's lush, ambitious arrangements are performed by the Bar-Kays, one of Stax's premier house bands, along with guest string and horn players. Aside from the highbrow funk of the title track and two other vocal cuts (Hayes's ballad "Soulsville" and the near-20-minute midtempo funk of "Do Your Thing"), this is an instrumental set with a strong "cinematic" feel. Jazz, lounge, R&B, and atmospheric interludes are blended to give ample evidence of Hayes's brilliance as a composer and arranger. SHAFT was a commercial zenith for Hayes, and made his name as a giant of soul.
Editorial Reviews
4 stars out of 5 - ...It single-handedly enhanced the reputation of a stylish but dull feature, and helped give rise to an entire movie genre. The potency of that track...highlights Hayes; top-flight skills as a composer....its lasting impact is more obvious...
Q (10/01/2000)
...boasting Issac Hayes' brilliant score. The main theme proved unstoppable, an award-winner that resulted in countless similar funk fiestas...
Mojo (11/01/1999)
Included in Mojo's 100 Coolest Movie Soundtracks.
Mojo (06/01/2002)
Ranked #40 in EW's 100 Best Movie Soundtracks - ...A funkafied mama jama...
Entertainment Weekly (10/12/2001)
...boasting Issac Hayes' brilliant score. The main theme proved unstoppable, an award-winner that resulted in countless similar funk fiestas...
Mojo (11/01/1999)
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