The Shack by William P Young (2008, Paperback, Large Print)

William Young's novel, The Shack, centers on dialogues between a miserable main character, Mack, and three unorthodox characterizations of the Holy Trinity: God the Father, embodied in a sassy black woman, incongruously called "Papa," ; Jesus, a big-nosed Middle-Eastern carpenter with a close-cropped beard; and the Holy Spirit, called Sarayu, an Asian Sylph. Mack's three year accumulation of secrets, lies, pain and fears over the kidnapping and murder of his six-year-old daughter, Missy, are swept away in a 48-hour encounter in the woods at- you guessed it- the shack where she was killed.

Readers views of The Shack, and its message, are varied and, at times, contentious.

Some critics argue that Young's book promotes universal salvation; as free to anyone as an open bar at a party. They understand his book to say that people can discover Jesus' love inside themselves, turn their life over to him, and they are on their way to eternal bliss. Some hard-line fundamentalist Christians view The Shack's message as deeply subversive, scripturally incorrect, and downright dangerous. Some ministers, like Mark Driscoll of Mars Hill Church in Seattle, say "it misrepresents God. Young misses the big E on the eye chart." To Driscoll, doctrine is essential, like a fence the Almighty erects to safeguard the saved from error.

But the Shack also has fans. Many readers say that they have found solace and inspiration in The Shack. They overlook the clichés- "Religious machinery can chew up people," Jesus says at one point-, stereotypes, like the Jewish Jesus' big nose, and Young's awkward writing: the black female God tells Mack, "Don't just stand there gawkin' with your mouth open like your pants are full." Steve McVey of Tampa, author of Grace Walk, praises The Shack. McVey says Young connects with people outside of, or unhappy with, institutional churches that "tell us what we ought to do for God, while grace focuses on what God has already done. A person discovers grace when you come to the end of your own self-sufficiency and realize that you have been made acceptable through Jesus Christ and him alone. You can't score points with God."

According to Young, the book is a vision of joy, however far it strays from evangelical dogma. He says he clarified the focus of his narrative by ripping out pages of theological jargon. The author posits that he has "a lot of freedom by knowing that you really experience God in relationships, wherever you are. It's fluid and dynamic, not cemented into an institution with a concrete foundation."

Before posting this review, I spoke to a number of people who had read The Shack and, to a person, they all found the "Dallas"/"Bob Newhart Show" swoon ending confusing. If Young's goal was to present a parable for our times, why have the novel end with a question?

For me, the book started off with a concept that was quite interesting and then devolved into exactly what a reader might expect from a religious writer trying to gain an audience. The Shack is a fast read and certainly inspirational in its own way, but not among the short-list of books that I would want to carry to a deserted island.