| Details | | Publication Date: | 1999-10-01 | | Series: | Asian Art & Culture (Unnumbered). | | Editor: | Frederick N. Bohrer |
| Size | | Length: | 124 pages | | Height: | 11.3 in | | Width: | 7.8 in | | Thickness: | 0.5 in | | Weight: | 20.8 oz |
Publisher's Note Antoin Sevruguin (late 1830s-1933) was a leading, celebrated photographer of late 19th-century Iran. He had two lifelong obsessions. The first was a cherished desire to record Iran in all its facets on glass plates; the second was to capture light in his photographs the way he so admired in Rembrandt's painting. A special interest in light and atmosphere pervaded Sevruguin's work. In addition to his numerous, compelling pictures of urban life and portraits made in his famous studio in Tehran, Sevruguin made a photographic inventory of the landscape, archaeological sites, and people of Azarbaijan, Kurdistan, and Luristan. Although the majority of his pictures were destroyed during political upheavals in the early 20th century, a significant number have been preserved in archives in the West. In this generously illustrated book, five distinguished authors explore the photographer's life and career. Sevruguin and the Persian Image includes a portfolio of signature works by a photographer whose innovations in lighting, composition, and development constitute landmark, contributions to the evolution of photography.
| See an error? Submit a change request |