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Selected by Bondage Fruit (CD, Jul-1999, Outer Music) 
Selected by Bondage Fruit (CD, Jul-1999, Outer Music)

 
Selected by Bondage Fruit (CD, Jul-1999, Outer Music)

Release Date: Jul 1999
Format: CD
Record Label: Outer Music
Genre: Rock & Pop
UPC: 640457201522
Product ID: EPID3329017
Description: Personnel: Katsui Yuji (vocals, violin, sampler); Kido Natsuki (guitar, organ, synthesizer). Recording information: 1990-1997. Photographer: Sasaki Hideaki. Arranger: Bondage Fruit. The first Western release by the Japanese zeuhl group B...
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Page 1 of 1
Track Listing
1. Holy Rolller
2. Daichi No Ko
3. Kinzoku No Taiji
4. Hikou Suru Ko
5. Récit

Details
Producer:Katsui Yuji, Kido Natsuki
Distributor:(Independently by Label)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Katsui Yuji (vocals, violin, sampler); Kido Natsuki (guitar, organ, synthesizer).
Recording information: 1990-1997.
Photographer: Sasaki Hideaki.
Arranger: Bondage Fruit.
The first Western release by the Japanese zeuhl group Bondage Fruit (gotta love a band with a name like that) is surprisingly placid and melodic for a style of music more usually known for its uncompromising ferocity. Of the first four tracks, only the opening "Holy Roller" shows much of a traditionally Asian influence, due to Yuji Katsui's skirling violin line. The next three tracks are a curious blend of zeuhl's aggression and an almost ambient element of grace and beauty, as on the gently flowing "Daichi No Ko," which for most of its seven-plus minutes consists solely of the intertwined wordless vocals of Aki and Saga Yuki gently supported by a fluid double bass solo. Even more strangely, "Hikou Suru Ko" features a melody and vocal line oddly reminiscent of the score of a European comic crime caper film of the 1960s. It's not until the last track, the 29-minute (over half the CD's total length) live workout "Récit," that the heat gets turned up. Recorded after both vocalists had left the band, "Récit" is a thundering, cacophonous instrumental workout featuring bracing electric guitar and violin interplay reminiscent of King Crimson's Larks' Tongues in Aspic period given a more aggressive noise rock edge. Opinion about this disc will likely be split down the middle, with listeners preferring either the calmer early tracks or the forceful closer; either way, this is an essential listen for fans of the style. ~ Stewart Mason

Editorial Reviews
5 out of 5 - ...a take-no-prisoners thrill-ride from a collective steeped in the methods of prog's far-flung esoteric fringes. Sentinent beings are advised to take note.
Alternative Press (01/01/2000)

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