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Santana (1st LP) by Santana (Cassette, Mar-1998, Legacy Recordings) 
Santana (1st LP) by Santana (Cassette, Mar-1998, Legacy Recordings)

 
Santana (1st LP) by Santana (Cassette, Mar-1998, Legacy Recordings)

Artist: Santana
Release Date: Mar 1998
Format: Cassette
Record Label: Legacy Recordings
Genre: Rock & Pop
UPC: 074646548943
Product ID: EPID3554265
Description: Also available in a 3-pack with ABRAXAS and SANTANA (3rd LP). Santana: Carlos Santana (vocals, guitar); Greg Rolie (vocals, piano, organ); Dave Brown (bass); Mike Shrieve (drums); Jose Chepito Areas (timbales, congas, percussion); Mike C...
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Track Listing
1. Waiting
2. Evil Ways
3. Shades of Time
4. Savor
5. Jingo
6. Persuasion
7. Treat
8. You Just Don't Care
9. Soul Sacrifice
10. Savor - (previously unreleased, live, CD only, bonus track)
11. Soul Sacrifice - (take 4, alternate take, live)
12. Fried Neckbones - (previously unreleased, live, CD only, bonus track)

Details
Playing Time:37 min.
Contributing Artists:Coke Escovedo, Tower Of Power
Producer:Brent Dangerfield, Santana
Distributor:Sony Music Distribution (
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
Also available in a 3-pack with ABRAXAS and SANTANA (3rd LP).
Santana: Carlos Santana (vocals, guitar); Greg Rolie (vocals, piano, organ); Dave Brown (bass); Mike Shrieve (drums); Jose Chepito Areas (timbales, congas, percussion); Mike Carabello (congas, percussion).
Reissue producer: Bob Irwin.
Recorded at Pacific Recording, San Mateo, California in May 1969 and live at The Woodstock Festival, Bethel, New York on August 16, 1969.
Includes liner notes by Ben Fong-Torres.
Before the arrival of Carlos Santana's eponymous band, the San Francisco rock scene drew the inspiration for its jam-oriented music mainly from blues, rock, and Eastern modalities. Santana added Latin music to the mix, forever changing the course of rock & roll history. On Santana's groundbreaking debut album, the group mixes Latin percussion with driving rock grooves. Santana's unique guitar style, alternately biting and liquid, vies with the multiple percussionists for the sonic focus.
Unlike later efforts, Santana's first album features an abundance of loose collective compositions based on a couple of simple riffs ("Jingo," "Soul Sacrifice"). This approach allows for Santana and his bandmates to flex their improvisational muscles to fine effect. The high energy level on SANTANA is infectious--the laid-back feel of other '60s S.F. groups was clearly not for Carlos and company.

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