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In the Running by Howard (Pop) Jones (CD, Apr-1992, Elektra Entertainment) 
In the Running by Howard (Pop) Jones (CD, Apr-1992, Elektra Entertainment)

 
In the Running by Howard (Pop) Jones (CD, Apr-1992, Elektra Entertainment)

Artist: Howard (Pop) Jones
Release Date: Apr 1992
Format: CD
Record Label: Elektra Entertainment
Genre: Rock & Pop, Synth Pop
UPC: 075596113526
Product ID: EPID3106790
Description: Personnel: Howard Jones (vocals, piano, keyboards, synthesizer, drums); Midge Ure, David Lindley, Neil Taylor, Steve Farris, Dean Parkslead, Andy Ross, Robbie Mcintosh, Dean Parks (guitar); Kevin Robinson (trumpet); Jai Winding (keyboard...
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Track Listing
1. Lift Me Up
2. Fallin' Away
3. Show Me
4. Voices Are Back, The
5. Exodus
6. Tears to Tell
7. Two Souls
8. Gun Turned on the World
9. One Last Try
10. City Song

Details
Playing Time:51 min.
Contributing Artists:David Lindley, Midge Ure
Producer:Howard Jones, Ross Cullum
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Howard Jones (vocals, piano, keyboards, synthesizer, drums); Midge Ure, David Lindley, Neil Taylor, Steve Farris, Dean Parkslead, Andy Ross, Robbie Mcintosh, Dean Parks (guitar); Kevin Robinson (trumpet); Jai Winding (keyboards, Moog bass); Ian Stanley (keyboards); Richie Hayward, Chris Hughes, Ross Cullum (drums); Mark Brzezicki, Sam Clayton, Luis Conte (percussion); Carol Kenyon, Tessa Niles (background vocals).
Recorded at The Shed, Maidenhead, England and A&M Studios, Hollywood, California between September 1990 and September 1991.
1992's IN THE RUNNING is something of a departure for Howard Jones, a more experimental album than previous commercial work like 1985's DREAM INTO ACTION and 1989's CROSS THAT LINE. Co-produced by Jones and drummer Ross Cullum of Tears For Fears, who also co-wrote four of the album's ten songs, the album is sonically akin to the multilayered arrangements of Tears For Fears' THE SEEDS OF LOVE, only with less ponderous lyrics and more satisfying melodies. The results are akin to '70s keyboard rock gems like Elton John's GOODBYE YELLOW BRICK ROAD or Todd Rundgren's poppier albums with Utopia. Stretching out the structures--nearly half the album's songs run over five minutes--without inserting pointless jams, Jones and Cullum, helped out by members of Big Country, the Pretenders and Ultravox plus guitarist extraordinaire David Lindley, have crafted a mature, impressive work.

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