Track Listing 1. Brother, The (For Jimmie & Stevie) 2. You Cut Me to the Bone 3. I'm a Real Man 4. My Love Will Never Die 5. Step on It 6. Prison of Love 7. Tell Me I'm Your Man 8. Start It Up 9. Life Song (One For Annie)
| Details | | Playing Time: | 48 min. | | Contributing Artists: | Bob Malach, Mark Ford, Russell Ferrante | | Producer: | C. Roscoe Beck, Robben Ford | | Distributor: | Universal Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Robben Ford & The Blue Line: Robben Ford (vocals, guitar); Roscoe Beck (acoustic & electric basses); Tom Brechtlein (drums). Additional personnel: Bob Malach (saxophone); Dan Fornero (trumpet); Mark Ford (harmonica); Russell Ferrante, Bill Boublitz, William "Smitty" Smith (keyboards). Recorded at Sound City Studios, Van Nuys, California and at Paul & Mike's Studio, Los Angeles, California. Robben Ford & The Blue Line: Robben Ford (guitar, vocals), Roscoe Beck (acoustic bass, bass), Tom Brechtlein (drums). Additional personnel: Bob Malach (saxophone), Dan Fornero (trumpet), Mark Ford (harmonica), Russell Ferrante, Bill Boublitz, William "Smitty" Smith (keyboards). Engineers: Walter New, Paul DuGre, Jeff Sheehan. Recorded at Sound City Studios, Van Nuys, California Remastered from the original first generation source, produced on 24 karat gold compact discs.
Editorial Reviews 4 Stars - Very Good - ...more authentic than affectation...besides being a killer soloist, he's a sly, seductive blues crooner... Down Beat (12/01/1992)
...Ford has chops to burn but nonetheless comes off cold....Lots of individual prowess but where's the band?... JazzTimes (01/01/1993)
8 - Excellent - ...Ford's impressive guitarwork encompasses elements of blues, jazz and rock, as befits someone who's played in bands behind Jimmy Witherspoon and Miles Davis... Vox (12/01/1992)
8 - Excellent - ...Ford's impressive guitarwork encompasses elements of the blues, jazz and rock, as befits someone who's played in bands behind Jimmy Witherspoon and Miles Davis... Vox (12/01/1992)
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