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Road to Perdition (VHS, 2003, Subtitled in Spanish) 
Road to Perdition (VHS, 2003, Subtitled in Spanish)

 
Road to Perdition (VHS, 2003, Subtitled in Spanish)

Director: Sam Mendes
Rating: Rated R
Release Date: Feb 2003
Format: VHS
Additional Info: Subtitled in Spanish
UPC: 678149014433
Product ID: EPID3405877
Description: Directed by Sam Mendes and based on the graphic novel by Max Allan Collins and Richard Piers Rayner, the Depression-era crime epic ROAD TO PERDITION stars Tom Hanks as Michael Sullivan, a quiet hit man who is duty bound to Mafia boss Joh...
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Movie Description
Directed by Sam Mendes and based on the graphic novel by Max Allan Collins and Richard Piers Rayner, the Depression-era crime epic ROAD TO PERDITION stars Tom Hanks as Michael Sullivan, a quiet hit man who is duty bound to Mafia boss John Rooney (Paul Newman). The mobster's close bond with Sullivan, however, leads Rooney's jealous blood son, Connor (Daniel Craig), to orchestrate a tragic series of events that results in Sullivan on the run with his 12-year-old son, Michael Jr. (Tyler Hoechlin). Soon an unscrupulous crime photographer/assassin named Maguire (Jude Law) is sent after Sullivan and his son, and Sullivan must decide on a course of action as young Michael comes to terms with his father's violent way of life.


Meticulously directed by Mendes and brilliantly photographed by Conrad Hall, each scene of ROAD TO PERDITION has the composition of an expertly crafted painting. Making effective use of rain, snow, and shadows, the filmmakers create a cinematic world that's as dark, cold, and unforgiving as many of its inhabitants. But the film also allows for glimpses of emotional warmth, particularly in Sullivan's relationships with his son and Rooney, his surrogate father. In these roles, the respective actors create complex characters that resonate even in their restraint. Hanks is outstanding as a man of action with little time for words, while Hoechlin creates an unsentimental portrait of a confused boy; Newman once again proves why he's a screen legend and, in a strikingly unflattering role, Law makes the most out of his screen time as a creepy, parasitic hit man. Even in its harshest moments, however, Mendes never fails to remind the audience that ROAD TO PERDITION is a film about fathers and sons; and this is what elevates it from an atmospheric gangster movie to a truly astonishing work of art.

Credits
Cast:Dylan Baker, Jennifer Jason Leigh, Liam Aiken

Details
Edition:Subtitled in Spanish
Sound:HiFi Sound

Notes
Theatrical release: July 12, 2002

Editorial Reviews
"...Because it is so careful with its effects, this film's ability to create feeling sneaks up and surprises....This is a story with a will to move us and the ability to do whatever it takes to make that happen..."
Los Angeles Times - p.C1 - Kenneth Turan

"...A truly majestic visual poem....Mr. Hanks does a powerful job..."
New York Times - p.E1 - Stephen Holden

"...ROAD TO PERDITION has the juice to get its hooks into you, knock you off balance and keep you that way for two hours. It's a triumph for director Sam Mendes..."
Rolling Stone - p.84 - Peter Travers

"...[Law] helps bring this dark, strange, and ultimately moving film into disturbing places of the sort that most studio movies can't even imagine, let alone depict..."
Premiere - p.24-5 - Glenn Kenny

"...Beautifully made, well-acted, brilliantly photographed..."
Chicago Sun-Times - p.5 - Roger Ebert

"...There's inventiveness, intelligence, even brilliance here..."
Total Film - p.122 - Nev Pierce

"...Hanks and Newman are radiant with the blessings of unstopped talent, two greats from two generations who each understand the power of underplaying..."
Entertainment Weekly - Lisa Schwarzbaum (07/19/2002)

Awards
2002Academy AwardsBest CinematographyConrad L. Hall

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    Top Reviews
      2002 Paul Newman, Tom Hanks, Daniel Craig & Jude Law
    Review created: 10/25/08
    51 of 53 people found this review helpful.

    Ultimately, "Road to Perdition" is a contemporary gangster film that works because of a fabulous cast. What's more, this is a film about bonds between men, father-figures, and father & son relationships. Director Sam Mendes employs noir techniques with color, weather, shadows & men's attitudes towards each other which are handily captured by Conrad Hall's scrutinizing eye for directing cunning cinematography.

    Max Allan Collins & Richard Piers Rayner's Depression-era novel is a graphically violent crime epic which "Road to Perdition" is based upon. David Self condenses the epic into a screenplay for the film that runs for just under 2 hours of intense interactions.

    Michael Sullivan (Tom Hanks) is emotionally close to his employer, John Rooney (Paul Newman), who is a notoriously slick mafia boss. As Rooney's trusted hit man, Sullivan stirs up the jealous wrath of Connor (Daniel Craig), the crime boss' son.

    Trying to impress his mobster father, Connor begins to wield violent power against Sullivan's family. In order to survive, Sullivan & his only surviving son, 12yo Michael Jr. (Tyler Hoechlin), go on the lam. The father & his pre-teen son are hard-pressed to survive, as they scramble away from a creepy photographer of the dead & ruthless killer, Maguire (Jude Law)--the one character for whom it is impossible to feel any empathy. Because of the hit on their family, which Michael Jr. witnessed, & the subsequent events that keep them on the run, Sullivan's violent course of life becomes all too evident to his son.

    As the surviving Sullivans escape from trap after trap, father & son forge an intimate & indestructible bond. Up against odds that would have otherwise already led to their deaths, their survival comes down to a key decision about loyalties between fathers & sons.

    Newman's performance in a characteristically challenging role as a modern villain who would be easy to hate, provides him with the opportunity to prove why he's a screen legend. From beginning to end, Newman's Rooney is more than a mob boss: he's a man with redeeming qualities that make him impossible to despise. Especially as Sullivan's father-figure, when Rooney's warmth is so evident, Newman nails the essence of his character in such a way that it's painful to watch how the film ends~


    Review ID: 10000000009152979
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