Synopsis
An account of a journey through the prehistoric ruins of the Anasazi in the American Southwest, and a history of the community that once flourished there. Saner is a poet who attempts to envision what American culture must have looked like before the arrival of the Europeans.
| Details | | Publication Date: | 1998-03-01 | | Illustrator: | Sue MacDougall |
| Size | | Length: | 203 pages | | Height: | 8.3 in | | Width: | 5.5 in | | Thickness: | 0.8 in | | Weight: | 9.6 oz |
Publisher's Note
For the better part of two decades, writer Reg Saner has been returning to the Southwest to explore and to reflect upon a landscape and the people who once called that landscape home; a people known as the Ancestral Puebloans, the Hisatsinom - the Anasazi. Here is a journey over miles of hiking trail under relentless sun, through chill nights on stark mesas; from campgrounds and kivas crowded with spiritual seekers, curious travelers, flute-playing scholars, and ersatz shamans alike, to desolate side canyons offering only the company of wind and sand, lizards and ravens. The desert Southwest and the ruins found there offer an invitation to a relationship enigmatic as it is irresistible. Poetry and philosophy reside in the most unlikely places: the petrified middens of ancient packrats; the haunting shadow of an Anasazi family's hotcakes scorched into the surface of a stone griddle at Keet Seel. And always it seems visitors leave this land with more questions than answers, impatient in their desire for understanding.
Industry Reviews
When looking at the Anasazi's great accomplishments, your average ruin junkie will inevitably end up asking themselves questions like Why does this interest me so? and What can I learn from this? Saner, winner of the 1997 Wallace Stegner Award, offers his own eloquent meditations on these and many other essential questions of the American Southwest. It is a loving and vital examination: as Saner says in the preface, "[T]his book explores our living relation yours and mine to the most impressive prehistoric culture in North America." In a conversational style, Saner recounts his experiences among the canyons and ruins of the ancient Pueblo people in such a way as to make them universal adventures. This is not a selfish book, he is not recounting his conquests, but guiding readers on a reverent journey of discovery. As Saner is the author of four books of poetry (Essay on Air; Red Letters), the lyrical writing should come as no surprise; and if at times he over-romanticizes the Anasazi, it is a refreshing change from the dry archaeological texts and the "another ruin to conquer" attitude of many writers on the prehistoric Southwest. He relates our everyday city lives to those who knew only how to live off the land, and by comparing views of our relation to nature we may come to understand what Euro-Americans have lost in the rush to civilization. Possibly what we can best learn from the remains of Anasazi culture is, "that our greatest wisdom might be in living gently enough to make others wise." (Mar.)
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