Track Listing 1. Raiders March, The 2. Main Title: South America, 1936 - (previously unreleased) 3. In the Idol's Temple - (previously unreleased) 4. Flight From Peru 5. Journey to Nepal - (previously unreleased) 6. Medallion, The - (previously unreleased) 7. To Cairo 8. Basket Game, The - (previously unreleased) 9. Map Room: Dawn, The 10. Reunion and the Dig Begins - (previously unreleased) 11. Well of the Souls, The - (previously unreleased) 12. Airplane Fight - (previously unreleased) 13. Desert Chase - (previously unreleased) 14. Marion's Theme 15. The German Sub / To The Nazi Hideout - (previously unreleased) 16. Ark Trek - (previously unreleased) 17. Miracle of the Ark, The 18. Warehouse, The - (previously unreleased) 19. End Credits
| Details | | Playing Time: | 74 min. | | Producer: | John Williams, Nick Redman | | Distributor: | Ryko Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes This DCC version of RAIDERS OF THE LOST ARK includes 30 additional minutes not on the original release. The London Symphony Orchestra includes: John Williams (conductor). Original score written by John Williams. Recorded at Anvil Recording Studios, Denham, England and EMI Abbey Road Studio No. 1, London, England in February 1981. Includes liner notes by Lukas Kendall, Steven Spielberg and John Williams. Steven Spielberg reinvented the cliffhanger adventure formula of the '40s and '50s with this Harrison Ford blockbuster. Longtime collaborator and composer John Williams further ignited the screen with his rousing and robust score. Williams, who had already lent his deft hand to such notable Spielberg films as JAWS, elevated RAIDERS OF THE LOST ARK to instant-classic status with a score marked by triumphant choirs of brass and bravura. On CD, the soundtrack has been treated with the attention it deserves. Fans all over the globe can rejoice in Williams' complete score, remastered and reissued in a beautiful cardboard slipcase. Exhaustive liner notes detail the music's creation, and entire pieces never featured in the film are restored. Williams' mighty symphonic tome is an adventurous exploration for the ear, by turns foreboding when necessary or dazzling in the grand, epic manner of Hollywood's bygone era, yet always powerful.
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