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Prize by Arto Lindsay (CD, Oct-1999, Righteous Babe Records) 
Prize by Arto Lindsay (CD, Oct-1999, Righteous Babe Records)

 
Prize by Arto Lindsay (CD, Oct-1999, Righteous Babe Records)

Artist: Arto Lindsay
Release Date: Oct 1999
Format: CD
Record Label: Righteous Babe Records
Genre: Rock & Pop
UPC: 748731701628
Product ID: EPID3348571
Description: Personnel: Arto Lindsay (vocals, guitar); Vinia Mojica, Beans, Kazu Makino (vocals); Andres Levin (acoustic guitar, keyboards, pandeiro, programming); Vinicius Cantuaria (acoustic guitar, drums, percussion); Davi Moraes (electric guitar,...
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Track Listing
1. Ondina
2. Prize, The
3. Pode Ficar
4. Prefeelings
5. Modus
6. Ex-Preguica
7. Unsure
8. Resemblances
9. O Nome Dela
10. Tone
11. Interior Life
12. E ai Esqueco

Details
Contributing Artists:Brian Eno, Melvin Gibbs, Vinicius Cantuaria
Distributor:E1 Distribution (USA)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel: Arto Lindsay (vocals, guitar); Vinia Mojica, Beans, Kazu Makino (vocals); Andres Levin (acoustic guitar, keyboards, pandeiro, programming); Vinicius Cantuaria (acoustic guitar, drums, percussion); Davi Moraes (electric guitar, timbal, caixas, surdo, pandeiro); Eyvind Kang (violin, viola); Sandra Park, Sharon Yamada (violin); Robert Rinehart (viola); Allen Stepansky (cello); Bob Malach (clarinet, saxophone, horns); Micah Gaugh, Casey Benjamin (saxophone); Michael Leonhart (trumpet, melodica); Peter Scherer (piano); Melvin Gibbs (keyboards, bass, programming); Dougie Bowne (keyboards); Skoota Warner, Rod Gross (drums); Cyro Baptista (cuica); Brian Eno, I-Sound.
Producers: Andres Levin, Melvin Gibbs, Arto Lindsay.
Principally recorded at Fun Machine Studios, New York, New York and Gi's House, Salvador, Bahia.
If listeners want to hear 100% authentic Brazilian music, they have plenty of alternatives besides downtown guitarist/singer/songwriter Arto Lindsay, but they'd miss the eclectic, scrapbook approach that Lindsay--a native Brazilian but musical polyglot--relishes. On this 1999 release, which topped many critics' annual best-of lists, the mood is laidback, sultry, but always playful, with enough oddball numbers ("Ondina," "PRefeelings") to satisfy fans of Lindsay's no-wave days.

Editorial Reviews
Included in Wire Magazine's 50 Records Of The Year ['99]
The Wire (01/01/2000)

9 out of 10 - ...no longer a cross-cultural gesture. It's a musical style....whose sonic identity is strong and distinct.
Spin (01/01/2000)

4 stars out of 5 - ...mixing samples, humming bassline and ringing timbales. It's this happy bonding of melodic froth and dangerous rumble that makes PRIZE so aptly titled.
Q (01/01/2000)

...lusciously carnivalesque. This is a real street music....PRIZE's lytics are as haunting as Gil Evans glissando; its sonics as precision tooled as any sonnet....Prize [it] like you should.
The Wire (11/01/1999)

...oscillates between North and South Americas....his unforced style and fragmented, poetic lyrics bring home the allusive oddity of much Brazilian music....a fine cross-cultural fornication...
Mojo (12/01/1999)

5 out of 5 - ...moves effortlessly from ragged horn ensembles to dreamy strings, and balances his scrabbly noise guitar with mellow crooning and romantic solo piano. PRIZE is a heady mix, and all the better for not being simplistically confrontational...
Alternative Press (01/01/2000)

4 out of 5 - ...Smart, oblique, literate songs with a post-'Blade Runner' cinematic flair....unfailingly up-to-date...more edge than its predecessors...
Down Beat (02/01/2000)

...nearly flawless....employing an even broader range of instruments and production techniques....His frail tenor lends these graceful songs the air of sensuality that is essential to the bossa nova tradition.
CMJ (10/18/1999)

5 out of 5 - ...moves effortlessly from ragged horn ensembles to dreamy strings, and balances his scrabbly noise guitar with mellow crooning and romantic solo piano. PRIZE is a heady mix, and all the better for not being simplistically confrontational...
Alternative Press (01/01/2000)

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