Synopsis Meg Giggs, the precocious daughter of Sir Thomas More, finds herself caught between her father's staunch Catholicism and the fiery Protestantism of her portraitist, the Bavarian Hans Holbein. Though set in 16th century Tudor England, the rhetoric of clashing religious sects and the constant threats of faith spilling into violence seems eerily familiar. Vanora Bennett, a former columnist for The Times, and known for her reportage on contemporary conflict zones, has written a debut novel that perfectly captures the emotional and political upheavals in a country undergoing religious change.
| Details | | Publication Date: | 2007-04-01 | | Edition Description: | Larger Print |
| Size | | Length: | 698 pages | | Height: | 9.0 in | | Width: | 6.0 in | | Thickness: | 1.5 in | | Weight: | 27.2 oz |
Publisher's Note An epic tale set against a backdrop of civil-war-torn sixteenth-century Europe, portraitist Hans Holbein the Younger flees to the safety of Tudor England in order to escape artistic censorship, a refuge from where he paints two nearly identical portraits of Sir Thomas More's family that reflect subtle but significant differences. (Historical Fiction)
Industry Reviews "Bennett constructs lush backdrops and costumes, and has impeccable historical sense. She luminously shades in an ambiguous period with lavish strokes of humanity, unbridled passion and mystery." (02/05/2007)
"One of the most captivating and intricately wrought tales of Tudor England to emerge in recent years..." (05/01/2007)
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