Synopsis
In 1959, a missionary named Nathan Price transports his wife and four daughters to a remote village in the Belgian Congo to convert the natives. The family is met with hostility from the locals, particularly a vengeful witch doctor. They also face bands of desperate rebels, dangerous wildlife, and the inevitable petty inconveniences a hyper-conventional Midwestern family might expect to face in an alien land. After tragedy strikes, the family leaves the Congo and Kingsolver details the subsequent fates of each of the female members, each narrating in her own distinctive voice. Besides being a vivid novel about family and a tour de force of characterization, THE POISONWOOD BIBLE is also a vehicle for Kingsolver's ideas about the Congo's disastrous history and America's role in it.
| Details | | Publication Date: | 1998-11-01 |
| Size | | Length: | 546 pages | | Height: | 10.0 in | | Width: | 6.5 in | | Thickness: | 1.8 in | | Weight: | 32.3 oz |
Publisher's Note
"The Poisonwood Bible" is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it--from garden seeds to Scripture--is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters--the self-centered, teenaged Rachel; shrewd adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility. Dancing between the dark comedy of human failings and thebreathtaking possibilities of human hope, "The Poisonwood Bible" possesses all that has distinguished Barbara Kingsolver's previous work, and extends this beloved writer's vision to an entirely new level. Taking its place alongside the classic works of postcolonial literature, this ambitious novel establishes Kingsolver as one of the most thoughtful and daring of modern writers.
The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it--from garden seeds to Scripture--is calamitously transformed on African soil. What follows is a suspenseful epic of one familys tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congos fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husbands part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters--the self-centered, teenaged Rachel; shrewd adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their fathers intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility. Dancing between the dark comedy of human failings and the breathtaking possibilities of human hope, The Poisonwood Bible possesses all that has distinguished Barbara Kingsolvers previous work, and extends this beloved writer's vision to an entirely new level. Taking its place alongside the classic works of postcolonial literature, this ambitious novel establishes Kingsolver as one of the most thoughtful and daring of modern writers.
Industry Reviews
"...Barbara Kingsolver has dreamed a magnificent fiction and a ferocious bill of indictment."
Nation - John Leonard (01/11/1999)
"With the publication of THE POISONWOOD BIBLE, this easy, humorous, competent, syrupy writer has been elevated to the ranks of the greatest political novelists of our time. She is something new: a political novelist who is careful not to step on anyone's toes. Barbara Kingsolver does not finally give a hoot about Africa."
Siegel
| See an error? Submit a change request |
All rights reserved.
Compelling Family Saga, Sobering Picture of Colonialism
) 
Thank you for voting. If your vote meets our 
