Synopsis
"Picasso at the Lapin Agile" concerns an imaginary meeting of Picasso and Einstein in 1904, when both were in their 20s. An examination of art, science, and the rapidly changing world around the two great figures, "Picasso at the Lapin Agile" was the longest-running show at the Westwood Playhouse in Los Angeles. This volume also includes three other one-act plays.
| Details | | Publication Date: | 1997-09-01 |
| Size | | Height: | 8.3 in | | Width: | 5.8 in | | Thickness: | 0.5 in | | Weight: | 7.2 oz |
Publisher's Note
Steve Martin is one of America's treasured comedic actors, having appeared in some of the most popular movies of our time. He is also an accomplished screenwriter who has for the past few years turned his attention to writing plays. The results, collected here, demonstrate new facets of the range and talent he possesses on screen. His plays hilariously explore very serious questions about love and happiness and the meaning of life; they are rich with equal parts pain and slapstick humor, torment and wit. Picasso at the Lapin Agile, Steve Martin's first full-length play, opened at Chicago's Steppenwolf Theater before moving on to Los Angeles (where it was the longest-running show in the history of the Westwood Playhouse) and, finally, to New York. An imagined meeting of Pablo Picasso and Albert Einstein in 1904 - when both men were in their twenties - it is a compelling examination of science and art and their impact on a rapidly changing society. As the two men engage in a battle of ideas about probability, lust, artistic integrity, and the future, the play moves with ease between the breezy and the profound. Picasso at the Lapin Agile and Other Plays contains three one-acts, first presented together at the Joseph Papp Public Theater in New York. WASP depicts an archetypal middle-class white Anglo-Saxon Protestant family trying to live up to the routine of an idealized fifties suburbia. It is a dark and surreal comedy - a broad satire punctuated with insightful and poetic moments of irony. A meditation on the nature of love and loneliness, The Zig-Zag Woman concerns a woman so desperate to find affection that, with the help of a magic trick, she appears to divide her body into threeparts. In the final play, Patter for the Floating Lady, a magician plans to levitate his assistant in order to give her what he could not give her when they were together: freedom.
Industry Reviews
"Mr. Martin has also created a number of moments of real humor and wit....His manner is to so mix the sublime with the ridiculous that they can't be easily disentangled."
New York Times - Vincent Canby
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