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All rights reserved.| Track Listing 1. Phenomenon 2. Candy - (featuring Ralph Tresvant/Ricky Bell) 3. Starsky and Hutch - (featuring Busta Rhymes) 4. Another Dollar 5. Nobody Can Freak You - (featuring Keith Sweat/LeShaun) 6. Hot, Hot, Hot 7. 4, 3, 2, 1 - (featuring Redman/Method Man/Canibus/DMX) 8. Wanna Get Paid - (featuring Lost Boyz) 9. Father 10. Don't Be Late, Don't Come Too Soon - (featuring Tamia)
Album Notes Personnel: LL Cool J, Redman, Method Man, Cannibus, DMX, Ralph Tresvant, Ricky Bell, Busta Rhymes, The Lost Boyz, Tamia, Keith Sweat (vocals); L.E.S. (various instruments); David Foreman (guitar); Myron Mckinley (Fender Rhodes); Erick Sermon (keyboards, bass, drums); Kern Brantley (bass); James Gamble (drums); Dent (programming); Poke, Tone, Curt Gowdy (drum programming); DJ Scratch (scratches); LeShaun Williams, Shantel Jones, Kenny Greene (background vocals). Producers include: Sean "Puffy" Combs, Trackmasterz, Poke, Tone, Erick Sermon. Engineers include: Michael Patterson, Lane Craven, Ken Ifill, Greg Mann, Bob Brown. Personnel: LL Cool J, Redman, Method Man, Cannibus, DMX, Ralph Tresvant, Ricky Bell, Busta Rhymes, The Lost Boyz, Tamia, Keith Sweat (vocals); L.E.S. (various instruments); David Foreman (guitar); Myron Mckinley (Fender Rhodes); Erick Sermon (keyboards, bass, drums); Kern Brantley (bass); James Gamble (drums); Dent, Poke, Tone, Curt Gowdy (programming); DJ Scratch (scratches); LeShaun Williams, Shantel Jones, Kenny Greene (background vocals). Producers include: Sean "Puffy" Combs, Trackmasterz, Poke, Tone, Erick Sermon. Engineers include: Michael Patterson, Lane Craven, Ken Ifill. Over the years, hip-hop's reigning king has accomplished much more than the average rapper. With his own book, television sitcom, and, oh, yeah, a stack of platinum-selling albums, LL Cool J is proof-positive that hip-hop can translate to the mainstream with it's integrity intact. PHENOMENON comes 12 years after his debut, and LL still represents the essence of true hip-hop. LL's success is probably due to his ability to cross over without selling out, and to his versatile style. The hard-core rapper that "rocked the bells" in 1986 coexisted with the sensitive smoothie who "needed love" from all the ladies. And in 1997, while LL Cool J makes it "Hot, Hot, Hot" on an incendiary, Puffy-produced track, James Todd Smith tells his story of growing up as an abused child on "Father." Over the years, hip-hop's reigning king has accomplished much more than the average rapper. With his own book, television sitcom, and, oh, yeah, a stack of platinum-selling albums, LL Cool J is proof-positive that hip-hop can translate to the mainstream with it's integrity intact. PHENOMENON comes 12 years after his debut, and LL still represents the essence of true hip-hop. LL's success is probably due to his ability to cross over without selling out, and to his versatile style. The hard-core rapper that "rocked the bells" in 1986 coexisted with the sensitive smoothie who "needed love" from all the ladies. And in 1997, while LL Cool J makes it "Hot, Hot, Hot" on an incendiary, Puffy-produced track, James Todd Smith tells his story of growing up as an abused child on "Father." Editorial Reviews The Source (12/01/1997) Rap Pages (01/01/1998) Rolling Stone (10/30/1997) Entertainment Weekly (10/17/1997) Entertainment Weekly (10/17/1997) | Find errors in the product description? Submit a catalog update request now. | ||||||||||||
Reviews Review created: 01/05/07 by: The cd is great, not one scratch on it, plays beautiful. I play the cd about 2-3 times a week. Very happy with purchase. Review ID: 10000000002649620 Was this review helpful? Report this review I love LL. I wanted to expand my music collection to include new and old songs from all of my favorite artists. Review ID: 10000000001778090 Was this review helpful? Report this review Review created: 01/30/07 by: speeddemon531-- a member of Epinions and Advisor in Music Pros: Great (though poppy) production, interesting lyrical themes, a "mature" LL. Cons: "Another Dollar" is embarrassingly wack, L gets ripped by Canibus on his own record. By the time of "Phenomenon"'s '97 release, LL Cool J had successfully completed yet another comeback. LL seemed to be the Lazarus of rap artists-every time he was marked for death, he made a triumphant return to the front lines. Not only was LL still making records well over a decade after his career began, but he was at the top of his game with over three million records sold of his last studio album, "Mr. Smith". It made perfect sense for LL to align himself with the hottest thing running hip-hop, hell, ALL popular music, at the time-Bad Boy Entertainment. "Phenomenon" is LL's Bad Boy album. Review ID: 10000000002820656 Review created: 01/28/07 by: balogun-- a member of Epinions and Advisor in Music Pros: Some really nice pop-oriented beats; a couple of good tracks Cons: LL on cruise control most of the time; a rather uninteresting listening experience Oh well, at least he has made great records. Phenomenon, LL Cool J s seventh album, should have been named Coastin , because that is precisely what he does here coast. The twenty nine year-old man, now a rap veteran, was possibly beginning to show his age. No longer rocking the mic with the ferocity and exuberance of his youth, he sounds pretty relaxed, mostly content with delivering flaccid raps over slickly-produced pop beats courtesy of people like TrackMasters, L.E.S. and Puff Daddy. And that s why "4, 3, 2, 1" is one of the best songs in here, easily. Erick Sermon provides the simple... Review ID: 10000000002813659 Review created: 05/21/04 by: roheblius -- a member of Epinions Pros: 4, 3, 2, 1 Cons: Too much of the Puffy influence This is my seventh review in my series of appreciating hip hop through my faith in the true hip hop artist and in LL Cool J's longevity as a hip hop icon. It's part of MadTheory's Hip Hop Appreciation Week Write-Off. There were two unique things about LL's seventh solo album (he would count it as his eighth with his greatest hits package All World). One was that he was scribing his life and coming out with his autobiography around the same time he was dropping his album. Phenomenon was supposed to be a soundtrack to I Make My Own Rules, and while there were some definite personal songs, I... Review ID: 10000000000253956 Review created: 06/09/07 by: ardentscriptor -- a member of Epinions Pros: good lyrics, enjoyable poppy production, mostly good guests, personal subjects. Cons: Some weaker tracks... LL Cool J was coming off of a major success in his sixth LP Mr. Smith. The album went triple platinum, and once again made LL a superstar in the mainstream scene. He figured he would keep the momentum going by dropping an album the very next year. LL is well known for changing his style of music to suit what is currently popular. His seventh LP Phenomenon supports this fact. In 1997, Diddy s Bad Boy Entertainment label was the hottest thing around, with their pop oriented hits and samples of previous hit songs. For his new LP, LL would involve himself heavily with Bad Boy. Despite the labels.. Review ID: 10000000003801343 Review created: 01/27/00 by: K_LID -- a member of Epinions Pros: The dopeness of 4,3,2,1 & Candy. Cons: A little overly commercial. While definitely not LL's best work, this album does have a lot going for it. The best track is 4,3,2,1. This posse cut has LL paired with Method Man, Redman, DMX, and Canibus. This song is also the song that started his feud with Canibus. The line "tell little shorty with the big mouth, the bank is closed," was supposedly a shot at Canibus. The lead single Phenomenon (title track) was produced by Puff Daddy and is very commercial. However, it is still an above average track. This album was supposed to be the soundtrack to his book, so in that respect, the song "Father" is perfectly placed.... Review ID: 10000000000253957 Epinions.com ratings are not included in the item's average rating. Links in this review may have been removed. |
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