Synopsis Milton takes the traditional epic and transforms it with the clarity of his moral vision and with the power of his language, turning it into triumphant blank verse--seldom used in his day except in drama--that is moving, exciting, and full of the grandeur of Milton's poetic vision. In the early parts of "Paradise Lost", he manages to convey sympathy with Satan's heroic energy. As the epic narrative progresses, however, our allegiance shifts subtly to Christ's message of love and a vision of Paradise free of Satan's destructive strivings.
| Details | | Publication Date: | 2008-05-15 | | Series: | Oxford World's Classics Series | | Editor: | Jonathan Goldberg, Stephen Orgel | | Edition Description: | Reissue |
| Size | | Length: | 317 pages | | Height: | 8.3 in | | Width: | 5.5 in | | Thickness: | 0.8 in | | Weight: | 8.8 oz |
Publisher's Note From almost the moment of its publication in 1667, Paradise Lost was considered a classic. This new edition is derived from the editors modernized Oxford Authors text, with a new introduction that discusses the poem's complexity and critical history, and on-page notes to gloss language and allusions.
Industry Reviews "Logicians may reason about abstractions. But the great mass of men must have images. The strong tendency of the multitude in all ages and nations to idolatry can be explained on on other principle." Edinburgh Review - Thomas B. Macaulay (08/01/1825)
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