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Ophelia by Natalie Merchant (Cassette, May-1998, Elektra Entertainment) 
Ophelia by Natalie Merchant (Cassette, May-1998, Elektra Entertainment)

 
Ophelia by Natalie Merchant (Cassette, May-1998, Elektra Entertainment)

Release Date: May 1998
Format: Cassette
Record Label: Elektra Entertainment
Genre: Alternative, Rock & Pop
UPC: 075596219648
Product ID: EPID3589977
Description: Personnel includes: Natalie Merchant (vocals, piano, Wurlitzer, Hammond organ); Karl Berger, Gavin Bryars (conductor); Karen Perris (vocals, acoustic guitar); N'Dea Davenport, Yungchen Lhamo (vocals); Lokua Kanza (acoustic guitar); Graha...
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Track Listing
1. Ophelia
2. Life Is Sweet
3. Kind & Generous
4. Frozen Charlotte
5. My Skin
6. Break Your Heart
7. King of May
8. Thick as Thieves
9. Effigy
10. Living, The
11. When They Ring The Golden Bells / Ophelia (Reprise)

Details
Contributing Artists:Chris Botti, Craig Ross, Daniel Lanois, Gavin Bryars, Karen Peris, Lokua Kanza, N'Dea Davenport, Yungchen Lhamo
Producer:Natalie Merchant
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel includes: Natalie Merchant (vocals, piano, Wurlitzer, Hammond organ); Karl Berger, Gavin Bryars (conductor); Karen Perris (vocals, acoustic guitar); N'Dea Davenport, Yungchen Lhamo (vocals); Lokua Kanza (acoustic guitar); Graham Maby (electric guitar, bass); Daniel Lanois, Don Perris (electric guitar); Krystof Witek, Hector Falcon (violin); Wendy Gillespie (treble viol); Conroy Kuo, Ralph Farris (viola); Julia Hodgson, Richard Campbell (tenor viol); Susanna Pell (bass viol); Michelle Kinney, Garo Yellin (cello); William Hunt (great bass); Chris Botti (trumpet); Tom Varner (French Horn); George Laks (piano, Fender Rhodes, Wurlitzer, Hammond organ); Jay Brunga (acoustic bass); Peter Yanowitz (drums).
Engineers: Todd Vos, John Holbrook, Rupert Coulso.
Recorded at Talking Dwarf Studios, Little Valley, New York; Air Studios, London, England.
Personnel includes: Natalie Merchant (vocals, piano, Wurlitzer piano,
Hammond B-3 organ); Karen Perris (vocals, acoustic guitar); N'Dea Davenport, Yungchen Lhamo (vocals); Karl Berger, Gavin Bryars (conductor); Craig Ross (acoustic & electric guitars); Lokua Kanza (acoustic guitar); Graham Maby (electric guitar, bass); Daniel Lanois, Don Perris (electric guitar); Krystof Witek, Hector Falcon (violin); Conroy Kuo, Ralph Farris (viola); Michelle Kinney, Garo Yellin (cello); Chris Botti (trumpet); Tom Varner (French horn); George Laks (piano, Wurlitzer piano, Fender Rhodes piano, Hammond B-3 organ); Jay Brunga (acoustic bass); Peter Yanowitz (drums).
Engineers include: Todd Vos, John Holbrook, Rupert Coulso.
Recorded at Talking Dwarf Studios, Little Valley, New York; Air Studios, London, England.
After her departure from 10,000 Maniacs, Merchant declared her artistic independence with the enormously popular TIGERLILY, an album not entirely dissimilar in style to her former group. Her highly anticipated followup mines a somewhat more introspective vein, as Merchant pursues her muse at length (many cuts hover around the five minute mark). The bulk of the tunes here are ballads adorned by piano, organ and strings, often achieving an almost ecclesiastical tone, as on the title cut, an exploration of a mythical woman who appears in many guises throughout history.
Even relatively upbeat tunes like "Kind & Generous" and "Break Your Heart" retain the delicacy, sweetness and luxurious feel that have become Merchant's trademarks. The aforementioned spiritual element resurfaces in the bible-conscious lyrics of "Thick As Thieves" and the almost Carter Family-ish country spiritual "When They Ring The Golden Bells," a Merchant original that sounds like it could have been written 100 years ago. Presumably, that's just the kind of timelessness Merchant is aiming for on OPHELIA.
After her departure from 10,000 Maniacs, Merchant declared her artistic independence with the enormously popular TIGERLILY, an album not entirely dissimilar in style to her former group. Her highly anticipated followup mines a somewhat more introspective vein, as Merchant pursues her muse at length (many cuts hover around the five minute mark). The bulk of the tunes here are ballads adorned by piano, organ and strings, often achieving an almost ecclesiastical tone, as on the title cut, an exploration of a mythical woman who appears in many guises throughout history.
Even relatively upbeat tunes like "Kind & Generous" and "Break Your Heart" retain the delicacy, sweetness and luxurious feel that have become Merchant's trademarks. The aforementioned spiritual element resurfaces in the bible-conscious lyrics of "Thick As Thieves" and the almost Carter Family-ish country spiritual "When They Ring The Golden Bells," a Merchant original that sounds like it could have been written 100 years ago. Presumably, that's just the kind of timelessness Merchant is aiming for on OPHELIA.

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