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Nevermind by Nirvana (USA) (Cassette, Sep-1991, DGC David Geffen Company USA) 
Nevermind by Nirvana (USA) (Cassette, Sep-1991, DGC David Geffen Company USA)

 
Nevermind by Nirvana (USA) (Cassette, Sep-1991, DGC David Geffen Company USA)

Release Date: Sep 1991
Format: Cassette
Record Label: DGC (David Geffen Company) (USA)
Genre: Grunge, Rock & Pop
UPC: 720642442548
Product ID: EPID3550356
Description: Nirvana: Kurt Cobain (vocals, guitar); Chris Novoselic (vocals, bass); David Grohl (vocals, drums). Additional personnel: Kirk Canning (cello). Recorded at Sound City, Van Nuys, California. A few years after the matter, even the album co...
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Track Listing
1. Smells Like Teen Spirit
2. In Bloom
3. Come as You Are
4. Breed
5. Lithium
6. Polly
7. Territorial Pissings
8. Drain You
9. Lounge Act
10. Stay Away
11. On a Plain
12. Something in the Way

Details
Playing Time:59 min.
Producer:Butch Vig, Nirvana
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
Nirvana: Kurt Cobain (vocals, guitar); Chris Novoselic (vocals, bass); David Grohl (vocals, drums).
Additional personnel: Kirk Canning (cello).
Recorded at Sound City, Van Nuys, California.
A few years after the matter, even the album cover appears vaguely symbolic: an innocent babe, braving the hazards, lunging for the seductive prize at the end of a hook. Few would've given good odds that the youngster would actually be able to s***** the green, swim back to shore, and laugh triumphantly in the fisherman's face; and history has made fools of those who thought it couldn't be done. NEVERMIND not only gave Nirvana the prize the band had reached out for, it included some epic consequences in the bargain--raising the Seattle grunge trio to the status of Godhead, and forever changing the face of the pop music market.
As ground-breaking albums go, NEVERMIND seemed expressly designed for a post-modern existence. The punk energy and aesthetic ("Territorial Pissings," "Drain You") were its lifeblood; melody, harmony and structure ("Something In The Way," "Come As You Are") were its selling points; the roaring guitars and sub-conscious intellect ("Smells Like Teen Spirit," "In Bloom") were its heart and soul. Nobody had come up with an album like NEVERMIND before, because no one could conceive of an album like it--not since Husker Du had broken up, anyway.
But the place where NEVERMIND struck the most firmly and personally was in the gut. Cobain's throaty roar, mumbled speech, fumbled appearance all confirmed that he was of us, with us, and for us; his gift for combining melodies with acerbic insights showed that he was unlike us. "Here we are now, entertain us" may have come and gone as a catch-phrase, but as an insight into a generation's bitterly restless tide, it ranks right up there with "I can't get no satisfaction."

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