My Town, Montgomery Gentry, Good
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My Town by Montgomery Gentry (Cassette, Aug-2002, Columbia USA) 
My Town by Montgomery Gentry (Cassette, Aug-2002, Columbia USA)

 
My Town by Montgomery Gentry (Cassette, Aug-2002, Columbia USA)

Artist: Montgomery Gentry
Release Date: Aug 2002
Format: Cassette
Record Label: Columbia (USA)
Genre: Country Rock, Rock & Pop
UPC: 696998652040
Product ID: EPID3625366
Description: Montgomery Gentry: Eddie Montgomery, Troy Gentry (vocals). Additional personnel includes: Johnny Neel (harmonica, Hammond B-3 organ); Chuck Leavell (keyboards); Jeffrey Steele, Curtis Wright (background vocals). Recorded at Westwood Soun...
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Track Listing
1. My Town - (Piano Intro)
2. My Town
3. Break My Heart Again
4. Scarecrow
5. Bad For Good
6. Speed
7. Hell Yeah
8. Lonesome
9. Why Do I Feel Like Running
10. Free Fall
11. Lie Before You Leave
12. For the Money
13. Good Clean Fun

Details
Contributing Artists:Chuck Leavell, Curtis Wright, Jeffrey Steele, Johnny Neel
Producer:Blake Chancey
Distributor:Sony Music Distribution (
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Montgomery Gentry: Eddie Montgomery, Troy Gentry (vocals).
Additional personnel includes: Johnny Neel (harmonica, Hammond B-3 organ); Chuck Leavell (keyboards); Jeffrey Steele, Curtis Wright (background vocals).
Recorded at Westwood Sound, The Compound, Loud Studios, Nashville, Tennessee; Madison Garage, Madison, Tennessee.
It's clear from the outset that contemporary country duo Montgomery Gentry aligns itself with some impressive people. Former NRBQ mainman Al Anderson is credited as both guitarist and (on the amiably shuffling "Why Do I Feel Like Running," and engineering duties are handled by none other than legendary George Jones producer Billy Sherrill. That kind of commitment to quality and nod to tradition is reflected in many of the songs on MY TOWN. Despite the politically correct climate so prevalent in 2002 on country radio, MY TOWN never shies away from tales of bad men, hard drinking, and plain old orneriness. And while much of the production has a contemporary sheen, there's no denying the roadhouse roots of many of these tunes, a few of which offer a demonstrable taste for good ol' blues rock (see the Greg Allman/Dickey Betts composition that closes things out).

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