Track Listing
1. Stay - (with Ne-Yo/Peedi Peedi)
2. Let Me Get This Right - (with Ne-Yo)
3. So Sick - (with Ne-Yo)
4. When You're Mad - (with Ne-Yo)
5. It Just Ain't Right - (with Ne-Yo)
6. Mirror - (with Ne-Yo)
7. Sign Me Up - (with Ne-Yo)
8. I Ain't Gotta Tell You - (with Ne-Yo)
9. Get Down Like That - (with Ne-Yo)
10. Sexy Love - (with Ne-Yo)
11. Let Go - (with Ne-Yo)
12. Time - (with Ne-Yo)
13. Get Down Like That - (remix, Hidden Track, with Ne-Yo)
| Details | | Contributing Artists: | Peedi Peedi | | Producer: | Brian Reid, Ron "NEFF-U" Feemstar | | Distributor: | Universal Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes
Personnel: Ne-Yo (vocals); Peedi Peedi (rap vocals); Erik Hermansen, Mikkel Se (various instruments); Robert Taylor (guitar); Nissan Stewart (drums).
Recording information: Westlake Audio, Hollywood, CA.
By the time of his Def Jam solo debut in 2006, Ne-Yo had already been a high-profile behind-the-scenes figure in contemporary R&B, penning hits for the likes of Faith Evans and Mary J. Blige. Like those artists, Ne-Yo's music is influenced by hip-hop beats and production values, but falls squarely under the rubric of modern soul, and the talent he displayed writing for others is abundant here.
The grooves on IN MY OWN WORDS are mostly down- to mid-tempo, with plenty of room to showcase Ne-Yo's way with a lyric and melody. The album's first single, "Stay," is a case in point, layering vocal lines for a choral effect while Ne-Yo's fine, flexible voice soars over the top. As one might expect, matters of the heart are the primary theme, but Ne-Yo proves that the market can handle another romantic neo-soul crooner, especially one this talented.
Editorial Reviews
Ne-Yo not only co-writes all of his material, but he wisely forgoes token samples in favor of juicy OFF THE WALL-era chord progressions. -- Grade: B-
Entertainment Weekly
3 stars out of 5 -- [S]tate-of-the-art bump 'n' grind....[He] has an R. Kelly-ish delivery and a high, urgent tenor a little like Stevie Wonder's...
Rolling Stone
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