Track Listing 1. Be Myself 2. Don't Blow It 3. Hold Up - (featuring Nelly) 4. Grandpa Gametight 5. Luv Me Baby - (featuring Jazze Pha/Sleepy Brown) 6. Murphy's Law (Skit) 7. Cool wit It - (featuring Nelly/Ali/Kyjuan) 8. This Goes Out - (featuring Nelly/Roscoe/Cardan/Lil Jon/Lil Wayne) 9. What da Hook Gon Be - (featuring Jermaine Dupri) 10. So X-Treme - (featuring King Jacob/The Professor) 11. How Many Kids You Got (Skit) 12. I Better Go - (featuring Avery Storm) 13. Red Hot Riplets - (featuring Nelly/Ali/Kyjuan) 14. Regular Guy - (featuring Seven) 15. Gods Don't Chill - (featuring King Jacob/The Professor) 16. Murphy Lee - (featuring Zee) 17. Head from a Midget (Skit) 18. Shake Ya Tailfeather - (featuring Nelly/Diddy) 19. Same Ol' Dirty - (featuring Toya)
| Details | | Contributing Artists: | Ali, Avery Storm, Cardan, Jazze Pha, Jermaine Dupri, King Jacob, Kyjuan, Lil Jon, Lil Wayne, Lil' Wayne, Nelly, P. Diddy, Roscoe, Seven, Sleepy Brown, Sleepy Sleepy Brown, The Professor, Toya, Zee | | Producer: | City Spud, Jason Epperson, Jazze Pha, Jermaine Dupri, L-Roc, Mannie Fresh, Murphy Lee | | Distributor: | Universal Distribution | | Recording Type: | Studio | | Recording Mode: | Stereo | | SPAR Code: | n/a |
Album Notes Personnel includes: Murphy Lee, Jazze Pha, Sleepy Brown, Nelly, Ali, Kyjuan, Roscoe, Cardan, Lil Jon, Lil' Wayne, Jermaine Dupri, King Jacob, The Professor, Avery Storm, Seven, Zee, P. Diddy, Toya. Producers includes: Jason "Jay E" Epperson, City Spud, Mannie Fresh, Jazze Pha, Murphy Lee. Personnel includes: Murphy Lee, Jazze Pha, Sleepy Brown, Nelly, Ali, Kyjuan, Roscoe, Cardan, Lil Jon, Lil' Wayne, Jermaine Dupri, King Jacob, The Professor, Avery Storm, Seven, Zee, P. Diddy, Toya. Producers includes: Jason "Jay E" Epperson, City Spud, Mannie Fresh, Jazze Pha, Murphy Lee. Personnel: Murphy Lee (vocals); Darius Bradford, Prentice Church, Lil Wayne, Nelly, Puff Daddy, Sleepy Brown, St. Lunatics, Toya , Cardan (vocals); Zo (guitar, keyboards); Billy Odum (guitar); Tracy Andriotti (cello); Oliver Sain (saxophone); Marc Raymond Garcia (trumpet, trombone); Andy Stoutenborough (drums); Bosco Money (scratches). Recording information: Daddy's House Recording Studios, New York, NY; Southside Studios, Atlanta, GABasement Beats Studios, S; Stankonia Recording, Atlanta, GA; The Hit Factory, New York, NY. Photographer: Jonathan Mannion. Murphy Lee of St. Lunatics had the ultimate hip-hop coming-out party on the featured track of the highly anticipated 2003 soundtrack to BAD BOYS II, trading rhymes (and even granted equal billing) with two of the most prominent rap luminaries of the past decade, Nelly & P. Diddy. The infectious "Shake Ya Tailfeather" shot to number one, and following its success comes Murphy's debut solo set, MURPHY'S LAW, a lively collection of lyrical acrobatics about women, cars, and new slang set to intense, dance-floor-ready beats. Lee's certainly about inclusion, and MURPHY'S LAW is a continual party with guests stopping by from all over; the best gathering shows up on the pounding, rock-inflected "This Goes Out" with Nelly, Lil' Wayne, Lil Jon, and many others celebrating hip-hop from various corners of the country. And Lee's subtle country drawl plays well with others as it preaches of an inviting rap world. Even when he claims to eschew hooks--which he and Jermaine Dupri do on "Wat Da Hook Gon Be"--a hook somehow wends its way to the top. MURPHY'S LAW is about just that--constantly catchy and consistently engaging, a satisfying debut from a member of hip-hop's hottest groups. Murphy Lee of St. Lunatics had the ultimate hip-hop coming-out party on the featured track of the highly anticipated 2003 soundtrack to BAD BOYS II, trading rhymes (and even granted equal billing) with two of the most prominent rap luminaries of the past decade, Nelly & P. Diddy. The infectious "Shake Ya Tailfeather" shot to number one, and following its success comes Murphy's debut solo set, MURPHY'S LAW, a lively collection of lyrical acrobatics about women, cars, and new slang set to intense, dance-floor-ready beats. Lee's certainly about inclusion, and MURPHY'S LAW is a continual party with guests stopping by from all over; the best gathering shows up on the pounding, rock-inflected "This Goes Out" with Nelly, Lil' Wayne, Lil Jon, and many others celebrating hip-hop from various corners of the country. And Lee's subtle country drawl plays well with others as it preaches of an inviting rap world. Even when he claims to eschew hooks--which he and Jermaine Dupri do on "Wat Da Hook Gon Be"--a hook somehow wends its way to the top. MURPHY'S LAW is about just that--constantly catchy and consistently engaging, a satisfying debut from a member of hip-hop's hottest groups. It's almost impossible to not like the affable Murphy Lee (aka da Skool Boy). On his debut solo album, Murphy's Law, you can't say he's fired a blank, although Lee is probably best suited to the guest spots and supporting roles that helped pave the way for this. In lead single "What da Hook Gon Be," Lee boasts that he's skilled enough to not need a hook. Adding profit potential is the reappearance of "Shake Ya Tailfeather," the collaboration with P. Diddy and ...
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