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All rights reserved.| Track Listing 1. Everybody Knows 2. I'm Your Man 3. Take This Waltz 4. Tower of Song 5. Anthem 6. Democracy 7. Future, The 8. Closing Time 9. Dance Me to the End of Love 10. Suzanne 11. Hallelujah 12. Never Any Good - (previously unreleased) 13. Great Event, The - (previously unreleased)
Album Notes Personnel includes: Leonard Cohen (vocals, keyboards); Jennifer Warnes, Anjani, Evelyine Hebey, Mayel Assouly, Elisabeth Valletti, Julie Christensen, David Morgan, Perla Batalla, Jackie Farris, Alex Brown (vocals); Bob Metzger (electric & pedal steel guitars, bass); Dean Parks (guitar, mandolin); Dennis Harring (guitar); John Bilezikjian (mandolin); David Campbell (strings); Bob Furgo (violin, keyboards); Paul Ostermayer (saxophone, keyboards); Stephen Zirkel (trumpet, keyboards, bass); Michel Robidoux, Jeff Fisher, Steve Lindsey, Randy Kerber, Bill Ginn, Tom McMorran (keyboards); Jorge Calderon, Lee Sklar (bass); Tom Brechtlein, Steve Meador, Vinnie Colaiuta, Curt Bisquera (drums); Lenny Castro (percussion, tambourine); LA Mass Choir. Producers include: Leonard Cohen, Michael Robidoux, Gean-Michel Reusser, Rebecca De Mornay, Leanne Ungar. Engineers include: Roger Guerin, Leanne Unger, Kevin Beauchamp, Ian Terry, Richard Cottrell. A best-of that comprises cuts from two studio efforts and a live album? For a lesser artist, the consumer would be well within his rights to cry foul. In Leonard Cohen's case, however, virtually every track he's ever recorded merits anthologizing. MORE BEST OF contains the strongest songs from I'M YOUR MAN and THE FUTURE, two of Cohen's latter-day masterpieces that combine his dark, poetic lyrics with an ironically glossy sonic framework. To add some historical perspective, live versions of early cuts like "Suzanne" are included. The depth (both spiritual and physical) of Cohen's readings here stands in sharp contrast to the original recordings. To rope in the diehard fans, there are two new cuts included, the self-deprecating shuffle "Never Any Good" and a short spoken-word piece, "The Great Event." Editorial Reviews NME (10/18/1997) | Find errors in the product description? Submit a catalog update request now. | ||||||||||||
Reviews This process is a waste of my time. I keep being bugged to write a review after I buy a item ( 15 minutes after) and before the seller even has a chance to send it to me. You are now sending email to me to write reviews. Keep this up and all my future responses will be to rate everything as poor, this is a waste of my time. Review ID: 10000000007079251 Was this review helpful? Report this review Review created: 04/27/02 by: thevoid99 -- a member of Epinions Pros: Excellent Latter-Day Compilation from Leonard Cohen. Cons: Some missing gems from his "Recent Songs" album. Throughout his thirty-five year career, there has been no singer-songwriter who possessed a chilling yet, enduring influence as had Canadian singer-songwriter Leonard Cohen did. Cohen s music always contained a sense of sadness and poignancy that matched his deep and somber vocals that had became constant in his music. Cohen for years had always sang about dark subjects in his songs like Suzanne , Sisters Of Mercy , Bird On A Wire , Chelsea Hotel No. 2 and many more in his influential career that would inspire famous alternative rock bands like the Goth-rock band Sisters of Mercy, Concrete... Review ID: 10000000000254652 Epinions.com ratings are not included in the item's average rating. Links in this review may have been removed. |
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