
An underrated film.
3 of 3 people found this review helpful.
The Japanese film Moon Child has many wonderful aspects to it, not the least of which are the political overtones that seem to be lost on the majority of American audiences. The cultural, ethnic and social climates of Asia are something of a mystery to the average John and Jane, but even if you are not versed in this topic, the movie is more than enjoyable. With beautiful performances from Gackt, HYDE, and Wang Leehom, the main roles leave nothing to be desired. The action sequences, strategically placed as they are, keep the audience enthralled while the dialogue has the intrigue for those who can enjoy such things.
The vampire subplot provides a new twist on the all-too-tired, "Underworld" delusion of the genre, while not coming off as absurd. More importantly, though, are the visuals. Moon Child has cinematography to die for, with visual metaphors present throughout. Along with these beautiful aspects, the film is also horribly quotable; not a month goes by when I do not at least think of a situation where a reference could be applied, while keeping it to myself as to not sound asinine to those around me who have not seen it yet.
While the plot can seem, at some times, cluttered, all of the different sides of the story seem to fully tie together neatly by the end. There are moments where heart strings will be tugged upon, and others where you will laugh your ass off ("you'll laugh, you'll cry," you know, the stereotypical good review).
Review ID: 10000000004860040

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