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Money Jungle [Expanded] [Remaster] by Duke Ellington (CD, Jul-2002, Blue Note Records USA) 
Money Jungle [Expanded] [Remaster] by Duke Ellington (CD, Jul-2002, Blue Note Records USA)

 
Money Jungle [Expanded] [Remaster] by Duke Ellington (CD, Jul-2002, Blue Note Records USA)

Artist: Duke Ellington
Release Date: Jul 2002
Format: CD
Record Label: Blue Note Records (USA)
Genre: Jazz Instrument, Piano
UPC: 724353822729
Product ID: EPID3050375
Description: /Max Roach/Charles Mingus. Personnel: Duke Ellington (piano); Charles Mingus (bass); Max Roach (drums). Recorded at Sound Makers, New York, New York on September 17, 1962. Originally released on United Artists (15017). Includes liner not...
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Track Listing
1. Money Jungle
2. Fleurette Africaine
3. Very Special
4. Warm Valley
5. Wig Wise
6. Caravan
7. Solitude
8. Switch Blade
9. Little Max, A (Parfait)
10. Rem Blues
11. Backward Country Boy Blues
12. Solitude - (alternate take)
13. Switch Blade - (previously unreleased, alternate take)
14. Little Max, A (Parfait) - (alternate take)
15. Rem Blues - (previously unreleased, alternate take)

Details
Playing Time:56 min.
Producer:Alan Douglas, Michael Cuscuna (Reissue)
Distributor:EMI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:ADD

Album Notes
/Max Roach/Charles Mingus.
Personnel: Duke Ellington (piano); Charles Mingus (bass); Max Roach (drums).
Recorded at Sound Makers, New York, New York on September 17, 1962. Originally released on United Artists (15017). Includes liner notes by George Wein and Michael Cuscuna.
All tracks have been digitally remastered.
Composer: Duke Ellington.
Personnel: Duke Ellington (piano); Max Roach (drums).
Audio Remixer: Ron McMaster.
Liner Note Author: Michael Cuscuna.
Recording information: Sound Makers, New York, NY (09/17/1962).
Photographer: Frank Gauna.
Arranger: Duke Ellington.
Although this excellent album is listed as a Duke Ellington, equal billing should be given to the participation of Charles Mingus and Max Roach. The remastered CD is outstanding, having been cleaned up from the original master tape. The CD also has the addition of six extra tracks, including four unheard Ellington originals: "Very Special," "Rem Blues," "Switch Blade," and "Backward Country Boy Blues." He is as at home in the setting of a trio as he is with a wailing big-band, and as usual, he allows the other musicians to play. The trio version of "Caravan" is exceptional, raucous and swinging.
Duke Ellington surprised the jazz world in 1962 with his historic trio session featuring Charles Mingus and Max Roach. Not in a mood to simply rework older compositions, the bulk of the original LP focused on music he wrote specifically for the session. "Money Jungle" is a thunderous opener, a blues that might be classified somewhere between post-bop and avant-garde. The gem of the date is the fragile, somewhat haunting ballad "Fleurette Africaine," where Mingus' floating bassline and Roach's understated drumming add to the mystique of an Ellington work that has slowly been gathering steam among jazz musicians as a piece worth exploring more often. "Very Special" is a jaunty upbeat blues, while the angular, descending line of "Wig Wise" also proves to be quite catchy. Ellington also revisits "Warm Valley" (a lovely ballad indelibly associated with Johnny Hodges) and an almost meditative "Solitude." Thunderous percussion and wild basslines complement a wilder-than-usual approach to "Caravan." The 1987 CD reissue added five previously unreleased works written for the session and an alternate of "Solitude"; this 2002 edition adds two new alternate takes. Mingus briefly sings along with his opening bass solo to Ellington's sauntering blues "Switch Blade," while Roach's brushwork seasons the leader's down-and-dirty "Rem Blues." Reissue producer Michael Cuscuna adds a brief false start to "Backward Country Boy Blues" to share a complement that Ellington gave to Mingus after hearing his opening bass solo. Even if you already own the earlier, nearly complete CD, it is well worth investing in this expanded 24-bit version, but don't be surprised if it is made obsolete by a later expanded edition with additional unreleased alternate takes, rehearsals, breakdowns, and studio discussions. Every jazz fan should own a copy of this sensational recording session. ~ Ken Dryden

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