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Money Doesn't Make It by Daevid Allen (CD, Jun-1999, InnerSpace Records) 
Money Doesn't Make It by Daevid Allen (CD, Jun-1999, InnerSpace Records)

 
Money Doesn't Make It by Daevid Allen (CD, Jun-1999, InnerSpace Records)

Artist: Daevid Allen
Release Date: Jun 1999
Format: CD
Record Label: InnerSpace Records
Genre: Progressive Rock, Rock & Pop
UPC: 714288770721
Product ID: EPID3326876
Description: Daevid Allen's University Of Errors: Daevid Allen (vocals, guitar); Jay Radford (guitar, saz); Josh Pollock (guitar); Erik Pearson (flute); Michael Clare (bass); Pat Thomas (drums, percussion). Recorded at Komotion, San Francisco, Califo...
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Money Doesn't Make It : Daevid Allen (CD, 1999)
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Money Doesn't Make It : Daevid Allen (CD, 1999)
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Page 1 of 1
Track Listing
1. Money Doesn't Make It
2. Prince of Sidewalk Scooter
3. False Teacher
4. Involve Me
5. Mullumbimby Mother
6. Submarine of Salt
7. Prof. Improbable's Preambule
8. Cunning Style Construct
9. Talkwind Upswerve
10. Wedding Music
11. Burn Your Money
12. Can't Buy Me Sex

Details
Producer:Michael Clare
Distributor:City Hall
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Daevid Allen's University Of Errors: Daevid Allen (vocals, guitar); Jay Radford (guitar, saz); Josh Pollock (guitar); Erik Pearson (flute); Michael Clare (bass); Pat Thomas (drums, percussion).
Recorded at Komotion, San Francisco, California on September 26 & 27, 1998.
Best known as the impish leader of '70s psychedelic legends Gong, Daevid Allen has enjoyed a long, fruitful post-Gong artistic life, collaborating with everyone from Soft Machine bassist Hugh Hopper to New York art-noise maven Kramer. On MONEY DOESN'T MAKE IT, Allen leads a band of unknowns through a musical journey that touches on several aspects of his career. There's a pronounced post-punk edginess and rhythmic insistency to some tunes, with repetitive guitar riffs taking center stage.
Elsewhere the Daevid of old emerges, scatting in Eastern modalities like a jazz guru over spacey, atmospheric backdrops of shimmering, heavily processed guitar. The blend of new and old shows that Allen can stay true to the psychedelic spirit he's well known for while still taking his studied kookiness someplace new.

Editorial Reviews
...berating bourgeois materialists and eco-transgressors....a welcome grittiness....harbors intriguing, dismembered atmospherics...manages to retain enough tonal ambiguity to keep the action interesting.
The Wire (11/01/1999)

4 out of 5 - ...Allen has surrounded himself with young San Francisco musicians who also appear to be gifted students of the prog/art/space aesthetic from those psychedelic days of yore....like doing drugs with your high-school English teacher...
Alternative Press (10/01/1999)

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