
The worst kind of Misery is the best kind of movie
3 of 5 people found this review helpful.
I have always felt the underappreciated film, "Misery", from King's novel of the same name, was akin to some of the best of his films (and so many of the films made from his novels are drek!). I do think that the film would have profited from a better actor in the lead role of Paul Sheldon (Nicholson is said to have turned it down....DeNiro would have been a great choice, but my personal favorite was Kevin Kline, who also turned it down), but the casting of James Caan just gave us more ability to focus on Kathy Bates, a journeyman actress who had been in at least a dozen films before Misery launched her career. And Caan turns in a worthy performance.
King puts a modern day twist on the same kind of captivity and obsession that Fowles dealt with in his book, "The Collector". The title of this movie and also King's book is ironic. Misery, of course, is the name of the popular character in the Paul Sheldon (James Caan) series of books; he's a successful novelist with a romantic heroine he's grown tired of (Misery Chastain) and is killing off in his newest book, as yet unpublished (sort of like Patricia Cornwell with Kay Scarpetta...and while PC hasn't killed KS yet, one hopes she will, and soon) And misery (without the capital M) is exactly what he gets for having encountered Annie Wilkes, a psychopath immortalized by Bates. Injured and alone, Sheldon is made a virtual prisoner by his "number one fan".
The audience is uneasy....if Hitchcock had directed, the uneasiness would have grown into fear a lot sooner, but Reiner, a good director that's a little out of his genre here, invokes realism instead of symbolism to point to all the signs of an impending Annie breakdown. Even those who had not read the novel will be hit over the head by the clues Annie leaves to what will happen when she finishes his new book. It's the one element of the film that prevents it, in my opinion, from being truly great. There's a background story going on about the sheriff, his wife and Sheldon's publicist trying to find him. It's well kept in the background and necessary to inject realism into what is happening to Paul.
How Annie and Paul revenge themselves on each other is something you will recoil from, as you watch the film.
Bates is stunning in her role, won every award in filmmaking for it, and has gone on to be our most memorable character actress. Reiner and Caan (especially Caan, who resuscitated his post-Godfather career with this) also contributed heavily to the very real life tragedy of the stalking/obsessive phenomena that famous people sometimes have to live with. There are also a lot of bloopers in the film, most of which I think Reiner left in as sort of a signpost to see who would pick up on them. My favorite Reiner-ism is the video of "Harry Met Sally"...a Reiner film that is clearly visible on one of Annie's trips to the local store.
And the film is chock full of memorable quotes, that will stay with you long after the credits have rolled. I leave you with one, from Bates as Annie, at the height of her madness:
"Oh, This whole house is going to be full of romance, OOOH, I am going to put on my Liberace records."
Add it to your collection, it's a memorable thriller.
Review ID: 10000000000114599

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