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Mirror Moves- The Psychedelic Furs...
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Mirror Moves by Psychedelic Furs (The) (CD, Aug-1984, Columbia USA) 
Mirror Moves by Psychedelic Furs (The) (CD, Aug-1984, Columbia USA)

 
Mirror Moves by Psychedelic Furs (The) (CD, Aug-1984, Columbia USA)

Release Date: Aug 1984
Format: CD
Record Label: Columbia (USA)
Genre: New Wave, Rock & Pop
UPC: 074643927826
Product ID: EPID3131878
Description: The Psychedelic Furs: Richard Butler (vocals); John Ashton (guitar); Mars Williams (saxophone); Tim Butler (bass); Keith Forsey (drums, percussion). Recorded at Westlake Audio, Los Angeles, California. For their fourth album, MIRROR MOVE...
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Mirror Moves- The Psychedelic Furs CD early USA press
Condition: Very Good
 
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Mirror Moves : Psychedelic Furs (The) (CD, 1984)
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Track Listing
1. Ghost in You, The
2. Here Come Cowboys
3. Heaven
4. Heartbeat
5. My Time
6. Like a Stranger
7. Alice's House
8. Only a Game
9. Highwire Days

Details
Playing Time:37 min.
Producer:Keith Forsey
Distributor:Sony Music Distribution (
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
The Psychedelic Furs: Richard Butler (vocals); John Ashton (guitar); Mars Williams (saxophone); Tim Butler (bass); Keith Forsey (drums, percussion).
Recorded at Westlake Audio, Los Angeles, California.
For their fourth album, MIRROR MOVES, the Psychedelic Furs moved further away from their proto-punk roots. In fact, other than Richard Butler's cigarette-ravaged voice, the occasional shard of guitar distortion, and the tell-tale '80s production sound, nothing on the album would be out of place on contemporary Top-40 radio. Were all pop music this good, the world couldn't help but be a better place. The Furs co-opted the mainstream into their sound, with the result being a nearly perfect pop masterpiece made without sacrificing their vision.
As mentioned, the production--evident in the flat drum sound--is really the album's only flaw. That is a small caveat, though, and the record displays the Furs at their best--Butler's particular strength is his ability to combine longing and loss into a catchy pop song while the band's steers the music far wide of becoming saccharine. Standouts include the brilliant "Heaven," with its plaintive vocal and bright guitars; the chugging train-ride of "Here Come Cowboys," where Mars Williams sax and John Ashton's guitar both shine; and "Highwire Days," which manages to turn the thin drums to its advantage while highlighting the interplay between the backing vocal and Butler's lead.

Editorial Reviews
Ranked #8 in CMJ's Top 20 Most-Played Albums of 1984
CMJ (01/05/2004)

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