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Melrose Place-the Music by Original TV Soundtrack (Cassette, Oct-1994, Giant USA) 
Melrose Place-the Music by Original TV Soundtrack (Cassette, Oct-1994, Giant USA)

 
Melrose Place-the Music by Original TV Soundtrack (Cassette, Oct-1994, Giant USA)

Artist: Original TV Soundtrack
Release Date: Oct 1994
Format: Cassette
Record Label: Giant (USA)
Genre: Soundtracks, Television
UPC: 075992457743
Product ID: EPID3565351
Description: Compilation producers: Jeff Aldrich, Howard Benson. As generation-defining television series go, Aaron Spelling's "Melrose Place" occupies the same place for 90's twentysomethings as Spelling's "Dynasty" did for their parents--proving th...
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Track Listing
1. That's Just What You Are - Aimee Mann
2. Back on Me - Urge Overkill
3. Baby I Can't Please You - Sam Phillips
4. Blah - Dinosaur Jr.
5. Ordinary Angels - Frente!
6. Precious - Annie Lennox
7. I'm Jealous - The Divinyls
8. Kids...This Is Fabulon - Seed
9. Here & Now - Letters To Cleo
10. How Was It For You - James
11. Star Is Bored, A - Paul Westerberg

Details
Distributor:WEA (Distributor)
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Compilation producers: Jeff Aldrich, Howard Benson.
As generation-defining television series go, Aaron Spelling's "Melrose Place" occupies the same place for 90's twentysomethings as Spelling's "Dynasty" did for their parents--proving that obsessing over titilating soap operas is not era-specific. Where "Melrose Place" succeeds over its Eighties' counterpart is in relating to its viewers' tastes rather than drowning them in opulence; thus, MELROSE PLACE - THE MUSIC is brimming with up-and-coming alterna-popsters, rather than proven commercial supernovas. Post-modern guitar heroes (Urge Overkill, Dinosaur Jr.), perennial "next big things" (Divinyls, James), and future "Buzz Bin"-ers (Letter To Cleo, Seed) all blaze through excellent originals, ready to set the Alternative Nation of "Melrose"-junkies afire. Yet, it is a trio of under-rated, established singer/songwriters (Aimee Mann, Sam Phillips and Paul Westerberg), whose commercial fates have long seemed sealed, who serve MELROSE PLACE - THE MUSIC best. Their confident, almost stately contributions illustrate that "it" is not all about appearences, and offer the only historical perspective on a collection built for the moment.

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